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  1. Apostrophe (’) es un álbum del músico y compositor estadounidense Frank Zappa lanzado el 22 de marzo de 1974. Una versión editada de la canción "Don’t Eat the Yellow Snow" fue el primer sencillo en entrar en las listas de venta, en el número 86.

  2. Confira nosso guia de uso para deixar comentários. No encontramos videos para esta canción = (. Frank Zappa - Apostrophe (') (EN ESPAÑOL) (Letra y canción para escuchar) - Jim Gordon (drums / John Guerin (drums / Aynsley Dunbar (drums / Ralph Humphrey (drums / Jack Bruce (bass / Erroneous (bass / Tom Fowler (bass / Frank Zappa.

  3. Apostrophe (') is the sixth solo album and eighteenth in total by Frank Zappa, released in March 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was the first of Zappa's three Billboard Top 100 hits, ultimately peaking at number 86.The album itself became the biggest commercial success of Zappa's career, reaching number 10 on ...

  4. About “Apostrophe (’)”. One of Zappa’s most enduringly popular albums, Apostrophe (‘) was recorded by some of the most talented players Zappa ever used: George Duke, the Fowler brothers ...

  5. George Duke (San Rafael, 12 de enero de 1946 - Los Ángeles, 5 de agosto de 2013) [1] fue un pianista estadounidense. Empezó a trabajar en los años 1960 con un trío de jazz, luego trabajó con gente como Dizzy Gillespie o Kenny Dorham.. A finales de los años sesenta entró en la banda de Don Ellis, y grabó con Jean-Luc Ponty.Por medio de este conoció a Zappa, y entró en los Mothers en 1970.

  6. 29 de mar. de 2024 · Changing direction, Zappa recorded both 1973’s Over-Nite Sensation and much of the following year’s Apostrophe (’) at the same time, utilizing a smaller cast of musicians that included keyboardist George Duke, guitarist Tony Duran, longtime percussionist Ruth Underwood, violinist Don “Sugarcane” Harris, bassist ‘Erroneous ...

  7. 22 de mar. de 2024 · Co-written with keyboardist George Duke, it’s a bittersweet and borderline satirical look at the status of the Civil Rights movement in the mid-1970s. Zappa takes the perspective of the African American protesters, increasingly frustrated at how even in the 1970s, the United States had to be dragged kicking and screaming into ...