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Hace 2 días · La suite ? On la connaît. Le musicien inventif, le leader inspirant et l’icône élégante du mouvement Swinging London s’efface peu à peu sous le joug du manager des Stones Andrew Loog Oldham qui va mettre en avant le binôme de compositeurs Jagger/Richards.
Hace 2 días · Only that following the Stones’ transition to new management, Andrew Loog Oldham judged Stewart unsuited for the group, saying the prim-and-proper Stewart didn’t “have the right look.” Luckily for the other members of the band, Stu consented to continue as their road manager and occasional pianist.
Hace 1 día · Para Delmas y Gancel «La imagen rebelde de los Stones fue una de las primeras ideas que desarrolló su mánager, Andrew Loog Oldham, para diferenciarlos de los Beatles (…) Cuando los Beatles fueron a un concierto que ofrecían los Stones en 1963, se cayeron bien, se hicieron amigos y en cuestión de días, John y Paul les cedieron una canción, I wanna be your man, que los Stones ...
Hace 3 días · Look at the Byrds or the Beach Boys and see how uncoordinated they can look, even on LP covers. The Rolling Stones were managed by Andrew Loog Oldham as the anti-Beatles – a clever marketing ploy that benefited both groups – but look again at the Stones: they were rebellious and anti-establishment, but Charlie Watts was always ...
Hace 2 días · Producer – Andrew Loog Oldham. SONG LYRICS [Verse 1] I live on an apartment On the ninety-ninth floor of my block And I sit at home looking out the window Imagining the world has stopped Then in flies a guy Who's all dressed up just like the Union Jack Says, I've won five pounds
Hace 5 días · By 1973, Joni Mitchell was searching for a new sound. On albums like Clouds and Blue, she had accompanied herself on piano and acoustic guitar, and progressed from folkie waife to sophisticated chronicler of the gender wars. She needed musical arrangements that matched the complexity of her lyrics.
Hace 6 días · Certainly, none of the Stones radiate anything resembling real Star Power on the big screen when caught off stage, going back to Peter Whitehead and Andrew Loog Oldham's 1966 live-in-Ireland documentary, Charlie is My Darling, where they come off as lumpen proles in the interview sections (as opposed to The Beatles' individual charismatic sparkle throughout A Hard Day's Night ).
