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Hace 4 días · Robert Rauschenberg. October 22, 1925—May 12, 2008. Port Arthur native Robert Rauschenberg was in his twenties before he saw paintings in a museum. The experience impressed him deeply. Within two decades, he would become one of the most influential artists of the twentieth century. Rauschenberg studied pharmacology at The University of Texas ...
Hace 4 días · When Robert Rauschenberg was named grand prize winner at the esteemed Venice Biennale, a furor erupted — and the conspiracy theories took flight.
Hace 2 días · Destacan Robert Rauschenberg (1925-2008) y Piero Manzoni (1933-1963). Op-art. Este movimiento consistió en crear ilusiones ópticas, como la sensación de movimiento (arte cinético) mediante líneas, colores y puntos. Sus máximos exponentes son Victor Vasarely (1906-1997), Frank Stella (1936-2024) y Jesús Soto (1923-2005). Hiperrealismo.
Hace 3 días · Taking Venice is a gripping exploration of the sensational true story behind the long-rumoured conspiracy that the 1964 Venice Biennale was manipulated by U.S. government agents and a cadre of influential insiders to secure the grand prize for their chosen artist, Robert Rauschenberg.
Hace 2 días · Taking Venice. Taking Venice keeps trying to figure out why it needs to tell us its story. A residual emptiness follows each of the developments in director Amei Wallach’s documentary, in which a potentially fascinating subject is undone by a general sort of aimlessness. Is its human subject, Robert Rauschenberg, truly at the center of that ...
Hace 2 días · A new documentary takes a hard look at the persistent rumors around Robert Rauschenberg’s win in Venice in the midst of the Cold War.” Here’s an excerpt: Did a conspiracy by U.S. State Department officials and art dealers secure a prize for painting for Robert Rauschenberg at the Venice Biennale in 1964?
Hace 1 día · As George Orwell wrote in 1940, “All art is propaganda…On the other hand, not all propaganda is art.” This is the unspoken aphorism at the core of art critic Amei Wallach’s documentary Taking Venice, in which she turns her lens on the 1964 Venice Biennale and the controversy surrounding the awarding of the Grand Prize to artist Robert Rauschenberg.
