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  1. Hace 1 día · Siempre es un placer colaborar nuevamente con Danny Brocklehurst y Quay Street Productions". Brocklehurst, que ya colaboró con Harlan Coben en la miniserie de Netflix "Engaños / Fool Me Once", agregó: "Lazarus es un thriller psicológico con una columna vertebral emocional. Se trata de padres e hijos, amor y pérdida.

  2. Hace 4 días · “Parish” is based on the BBC One series “The Driver,” from Danny Brocklehurst. In adapting it for AMC, Esposito reached into his own personal history.

  3. Hace 5 días · Peaky Blinders star Sam Claflin has been spotted filming scenes in the city centre for an upcoming drama for Amazon Prime.. The British actor, 37, will star alongside Bill Nighy and Alexandra Roach in Lazarus, which is based on a script co-written by Harlan Coben and screenwriter Danny Brocklehurst,, who are the masterminds behind recent streaming hits Fool Me Once, The Stranger and Stay Close.

  4. Hace 6 días · El proyecto cuenta con la participación de renombrados escritores y productores ejecutivos como Harlan Coben y Danny Brocklehurst, asegurando una narrativa de alta calidad y emocionante ( (La...

  5. Hace 4 días · ‘Parish’ is based on the BBC One series ‘The Driver’ by Danny Brocklehurst. In adapting it for AMC, Esposito reached into his personal history. “I recognized the situation, it felt true,” he said of the days before he landed the role of Gus Fring on “Breaking Bad” and his career took off.

  6. tresamagazine.com › 2024/06/24 › caleb-baumannCaleb Baumann – TresA

    Hace 2 días · In this year's release of crime drama series Parish, Caleb Baumann plays Maddox Parish alongside his on-screen family played by Giancarlo Esposito, Paula Malcomson and Arica Himmel, with the show premiering on AMC earlier this year and developed by Danny Brocklehurst and based on his BBC One crime drama The Driver. Caleb guest-starred in an….

  7. yorkshiretimes.co.uk › article › Review-The-Railway-Children-ReturnReview: The Railway Children Return

    Hace 5 días · The spirit of the original film is echoed in a few callback sequences and of course in Jennny Agutters return to her 1970 role, but the story itself, which starts as a WWII child evacuee tale, becomes something rather unexpected, tackling the ugliness of bigotry and beauty of friendship.