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  1. en.wikipedia.org › wiki › Lou_ReedLou Reed - Wikipedia

    Hace 3 días · Lester Bangs declared it "genius", though also psychologically disturbing. The album, now regarded as a visionary textural guitar masterpiece by some music critics, was reportedly returned to stores by the thousands and was withdrawn after a few weeks.

  2. Hace 3 días · Al respecto, el crítico Lester Bangs señaló que la real valía de The Idiot se vería en el tiempo, el cual haría de este el mejor trabajo de Iggy Pop, a quien todos ya creían devorado por ...

  3. Hace 5 días · In a 1973 profile for Let It Rock magazine, Bangs famously dubbed Reed a “vaguely uncomfortable fat man.” Their encounters, like the one chronicled in Creem’s “Let Us Now Praise Famous Death Dwarves,” showcased their intellectual sparring and mutual respect amid creative differences.

  4. Hace 1 día · This list of performances on Top of the Pops is a chronological account of popular songs performed by recording artists and musical ensembles on Top of the Pops, a weekly BBC One television programme that featured artists from the UK Singles Chart .

  5. Hace 20 horas · Rock and Roll is Here to Stay: The 1950s. It took almost a decade for rock and roll’s musical arrival to translate. The sound was fixed by 1947 Los Angeles, as Roy Brown, renaming the jump blues of Louis Jordan, wrote and performed “Good Rocking Tonight.” Brown’s small combo fused blues chords, jazz riffs, dance beats, and pop song structure into a party on wax that made the race ...

  6. en.wikipedia.org › wiki › Born_to_RunBorn to Run - Wikipedia

    Hace 3 días · Born to Run is the third studio album by the American singer-songwriter Bruce Springsteen, released on August 25, 1975, by Columbia Records. Springsteen co- produced the album with his manager Mike Appel and the producer Jon Landau.

  7. Hace 5 días · Bangs doesn’t spare James Chance, who used to “plead for [Robert Quine] to play him his Charlie Parker records. Now, in a New York Rocker interview, James dismisses the magical qualities of black music as ‘just a bunch of [n-word] bullshit.’.