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  1. Hace 1 día · Ma è nei testi che “Amused to Death” rivela tutta la sua potenza emotiva e intellettuale. Roger Waters, con la sua prosa tagliente e provocatoria, esplora temi che vanno dalla guerra e la politica alla religione e la tecnologia, offrendo una critica radicale della società moderna e delle sue istituzioni.Brani come “What God Wants, Part I“, “The Bravery of Being Out of Range” e ...

  2. Hace 23 horas · CD - Roger Waters - Amused to Death

  3. Hace 23 horas · These use a lot of omission (leaving out words) 1. - 'You can't admit that you're not the right person for me/'Can't admit that you're wrong' (about something) 2. But when i'm done showering/finished showering 3. This means that the person she is talking about brought her flowers from a gas station (probably after an argument).

  4. Hace 3 días · But this is particularly weird, listening to this dead man inform me about the end of the world. The annihilated foretelling annihilation. London is drowning, he says, and I live by the river. He sings the line with tongue planted in cheek, laughing almost, amused apocalypse comes for him so soon.

  5. Hace 1 día · The lyrics are a little more adult than usual, which only adds to the cut’s appeal. For some reason Roy Talbot’s bass is brought to the fore on this cut. There’s no way of knowing if this was merely a raise of a fader, or a repositioning of the mic, but his insanely cool one string bass, also called the "doghouse bass," is front and center for all to hear.

  6. Hace 23 horas · “As the first in the Greater Realms to integrate the Three Treasures, I regard you as a worthy opponent. If I am to defeat you, it must be through fair and honorable means. I want to engage in combat and use my strength to overcome yours. How could I stoop to such despicable tactics?” Amused by Youcef’s sudden display of anger, James ...

  7. Hace 4 días · The lyrics convey a sense of existential angst and the struggle to find purpose in life. The song raises questions about the nature of reality, free will, and the boundaries of human knowledge, leaving listeners pondering the philosophical implications long after the music ends.