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  1. Auto-retrato, Gustave Courbet. Os quebradores de pedras (II), Gustave Courbet. Gustave Courbet (Ornans, 10 de junho de 1819 – La Tour-de-Peilz, 31 de dezembro de 1877) foi um pintor francês pioneiro do estilo realista francês. [1] [2] Foi acima de tudo um pintor da vida camponesa de sua região.Ergueu a bandeira do realismo contra a pintura literária ou de imaginação.

  2. Gustave Courbet was born in in 1819 in Ornans, a farming town in eastern France, into a closeknit family of the rural middle class. His happy childhood, spent in the woods and fields around Ornans, gave him a taste for the hunt and sport, a dislike for school, and a lifelong love of his native region. While at a boarding school in nearly ...

  3. 居斯塔夫·库尔贝(法文全名:Jean Desire Gustave Courbet1819年6月10日—1877年12月31日),法国画家,19世纪法国现实主义美术代表。代表作品有《带黑狗的自画像》《奥尔南的葬礼》《画室》等。库尔贝早年就读于柏桑松皇家学院。1840年11月,赴巴黎学习法律专业,因未通过大学考试转研究艺术。

  4. Gustave Courbet, né le 10 juin 1819 3 à Ornans ( Doubs, France) et mort le 31 décembre 1877 à La Tour-de-Peilz ( Vaud, Suisse ), est un peintre et sculpteur français, chef de file du courant réaliste . Auteur d'un important corpus de peintures — plus d'un millier d'œuvres —, Courbet est l'un des artistes les plus puissants et les ...

  5. 1819 m. birželio 10 d. Gustavas Kurbė ( pranc. Gustave Courbet, 1819 m. birželio 10 d. – 1877 m. gruodžio 31 d.) – XIX a. Prancūzijos tapytojas. Vienas garsiausių realistinės dailės atstovų. Garsiausiais jo paveikslais minimi „ Laidotuvės Ornane “, „ Pasaulio kilmė “ ir „Dailininko studija“.

  6. Jun 10, 1819 - Dec 31, 1877. Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later ...

  7. Gustave Courbet. Courbet was the main exponent of Realism in 19th-century French painting. His work contrasts with the Classicism of Jean-Auguste-Dominique Ingres and the Romanticism of Eugène Delacroix. He relied on the use of the palette knife to create heavily impastoed surfaces, as if to stress his disdain for the fine finish of academic ...