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  1. Sólo los ángeles tienen alas es una película dirigida por Howard Hawks con Cary Grant, Jean Arthur, Rita Hayworth, Thomas Mitchell .... Año: 1939. Título original: Only Angels Have Wings. Sinopsis: En un país sudamericano situado en los Andes, mientras Geoff Carter (Cary Grant) dirige un servicio de transporte aéreo de mercancías, Bonnie Lee (Jean Arthur) es una corista que está allí ...

  2. Only Angels Have Wings (1939) View more photos Movie Info. Synopsis A two-fisted adventure tale set in South America, ONLY ANGELS HAVE WINGS stars Cary Grant as the tough-talking head of an air ...

  3. ONLY ANGELS HAVE WINGS. Trailer. Directed by. Howard Hawks. United States, 1939. Romance, Adventure, War. 121. Synopsis. At a remote South American trading port, the manager of an air-freight company is forced to risk his pilots’ lives in order to win an important contract as a traveling American showgirl stops in town.

  4. www.bfi.org.uk › film › 243343f5-eb42-5e49-8dcb-90a585033bb8Only Angels Have Wings (1939) | BFI

    Only Angels Have Wings (1939) Danger, desire, death and a donkey – Cary Grant, Jean Arthur and Rita Hayworth are flying high in Howard Hawks's peerlessly entertaining tale of aviation in the Andes. Somewhere on the coast of South America there’s a ramshackle, fog-bound port and a landing strip from where mail pilots risk their lives over ...

  5. Only Angels Have Wings. Available on iTunes. The head of a broken-down air freight company sends courageous pilots over the treacherous Andes Mountains in Peru. Adventure 1939 2 hr 1 min.

  6. Sólo los ángeles tienen alas (título original: Only Angels Have Wings) es una película estadounidense de 1939 dirigida por Howard Hawks y con actuación de Cary Grant y Jean Arthur.Generalmente es considerada como una de las mejores películas de Hawks, sobre todo en su retrato de la profesionalidad de los pilotos, su atmósfera, y las secuencias de vuelo.

  7. 12 de abr. de 2016 · No one quotes that summation—which fits 1939’s Only Angels Have Wings as well as it does Red River—because it didn’t make the pages of Agee on Film. So Jacques Rivette certainly deserves credit for lauding the director’s “marvelous blend of action and morality” and “pragmatic intelligence” in Cahiers du cinéma in 1953.