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The first extensive article on Basquiat, “The Radiant Child,” by Rene Ricard, appears in the December 1981 issue of Artforum. The detailed essay examines the emerging New York artists from the Mudd Club shows, the “Times Square Show,” and “New York/New Wave.”
Da arte de rua aos grandes museus e leilões internacionais, a obra e a vida de Basquiat são inigualáveis. Confira, abaixo, a análise de 10 quadros famosos do pintor. 1. Ironia do Policial Negro (1981) Uma das obras mais famosas de Basquiat, Ironia do Policial Negro carrega mensagens sociais evidentes. Aqui, não existe um recado sutil nem ...
Jean-Michel Basquiat (French pronunciation: [ʒɑ̃ miʃɛl baskja]; December 22, 1960 – August 12, 1988) was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement.. Basquiat first achieved notoriety in the late 1970s as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams all over Manhattan, particularly in the cultural ...
Sometime in the early months of 1981, Basquiat began a painting depicting an oversized head extending across the pictorial field, an image that had no precedent in earlier sketches, drawings, or paintings. Showing little regard for either physiognomic accuracy or individual likeness, Basquiat chose to emphasize the expressive qualities of the head.
signed, partially titled and dated “Jean Michel Basquiat “RING” 1981” on the reverse acrylic and oilstick on canvas 60 x 48 in. (152.4 x 121.9 cm.) Executed in the pivotal year of 1981, The Ring denotes the gestural vigor that exemplified Jean-Michel Basquiat’s approach to his portrayals of exalted figures. Set against an activated red expanse, the […]
Basquiat começou a ser mais amplamente reconhecido em junho de 1980 quando participou do The Times Square Show, uma exposição de vários artistas patrocinada por uma instituição de nome "Colab". Em 1981, o poeta, crítico de arte e "provocador cultural" Rene Ricard publicou um artigo em que comentava sobre o artista.
From The Broad Collection: Jean‐Michel Basquiat, Untitled, 1981, acrylic and oilstick on canvas, The Eli and Edythe L. Broad Collection. Many of Jean-Michel Basquiat’s paintings are in some way autobiographical, and Untitled may be considered a form of self-portraiture. The skull here exists somewhere between life and death. The eyes are listless, the face is sunken in, and the head looks ...
