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Petterson knew from the age of 18 that he wanted to be a writer, but didn't embark on this career for many years - his debut book, the short story collection Aske i munnen, sand i skoa, (Ashes in the Mouth, Sand in the Shoes) was published 17 years later, when Petterson was 35.Previously he had worked for years in a factory as an unskilled labourer, as his parents had done before him, and had ...
Per Petterson er en norsk forfatter. Forfatterskapet fremstår som et av et av de viktigste i norsk samtidslitteratur – ikke minst fordi alle bøkene hans er på et jevnt og høyt nivå både hva stil, fortellemåte og tematikk angår. Forfatteren har mottatt en rekke priser for sine bøker, og spesielt Ut og stjæle hester (2003) har oppnådd stor heder og er blitt oversatt til om lag 50 ...
Per Petterson, né le 18 juillet 1952 à Oslo, est un écrivain et un romancier norvégien. Biographie. Cet Osloïte, bibliothécaire-documentaliste de profession, a travaillé comme libraire ou employé de librairie à Oslo, traducteur et critique littéraire avant de se tourner vers la littérature à temps plein vers la fin des ...
Per Petterson (Oslo, 18 juli 1952) is een Noors schrijver van romans en verhalen. Leven en werk. Petterson werd opgeleid tot bibliothecaris en werkte later als boekhandelaar en vervolgens ook als vertaler. Vanaf de jaren negentig is hij fulltime schrijver. Hij noemt Knut Hamsun en ...
29 de nov. de 2014 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.
1 de ene. de 2003 · Per Petterson, Anne Born (Translator) We were going out stealing horses. That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and one of the first days of July. Trond’s friend Jon often appeared at his doorstep with an adventure in mind for the two of them.
24 de jun. de 2007 · It is an extraordinarily humane decision. Aude Van Ryn. The characters living and dead are equally palpable, another small wonder of “Out Stealing Horses.”. The unsentimentalized remoteness of ...
