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Hans Makart was a 19th-century Austrian academic history painter, designer, and decorator. He is best known for his influence on Gustav Klimt and other Austrian artists, but in his own era he was considered an important artist himself and a celebrity figure in the high culture of Vienna and attended with almost cult-like adulation.
Hans Makart was a 19th-century Austrian academic history painter, designer, and decorator. He is best known for his influence on Gustav Klimt and other Austrian artists, but in his own era he was considered an important artist himself and a celebrity figure in the high culture of Vienna and attended with almost cult-like adulation.
Hans Makart Famous Paintings: Decorative Flower Bouquet (1884) Portrait of Magdalena Plach (1870) Portrait of Karoline Gomperz (ca. 1870) Gotische Grabkirche St. Michael, Lateral View, 1883; The Dream After the Ball (1884) Lady with Feather Hat from Behind (1874-1875) Post navigation.
The Five Senses is a panel of five oil paintings produced by Hans Makart, the chief artist of the Viennese Court in the second half of the 19th century and the premier Austrian painter of his age. The figure representing Touch is a female we observe from the back as with one hand she holds aloft a newborn and with the other, she grips a ...
Hans Makart: Monographie und Werkverzeichnis. Salzburg, 1974, p. 332, no. 185, ill., calls it "Der Traum" and dates it about 1872; states that a photograph of this picture in the archive of the Österreiche Nationalbibliothek is inscribed: "Hanna Prinzessin Liechtenstein, vor ihr Putten," adding that this identification of the woman as Hanna Klinkosch is based on speculation.
Hans Makart (28. května 1840, Salcburk – 3. října 1884, Vídeň) byl rakouský malíř a dekoratér. Je hlavním představitelem období vzniku vídeňské Ringstrasse (60.–70. léta 19. století ).
Hans Makart was a 19th-century Austrian academic history painter, designer, and decorator. He is best known for his influence on Gustav Klimt and other Austrian artists, but in his own era he was considered an important artist himself and a celebrity figure in the high culture of Vienna and attended with almost cult-like adulation.
