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Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting.
27 de dic. de 2011 · Summary of Helen Frankenthaler. Helen Frankenthaler was among the most influential artists of the mid-20 th century. Introduced early in her career to major artists such as Jackson Pollock and Franz Kline (and Robert Motherwell, whom she later married), Frankenthaler was influenced by Abstract Expressionist painting practices, but developed her own distinct approach to the style.
Helen Frankenthaler, American Abstract Expressionist painter whose brilliantly colored canvases were much admired for their lyric qualities. Her best-known works include Mountains and Sea (1952), in which she created diaphanous color by means of thinned-down oils that she allowed to soak into the unprimed canvas.
Helen Frankenthaler. Helen Frankenthaler (née le 12 décembre 1928 à New York et morte le 27 décembre 2011 à Darien, dans le Connecticut 1) est une peintre américaine appartenant au mouvement de l’ expressionnisme abstrait. Elle a été l’élève de Rufino Tamayo et de Meyer Schapiro .
Helen Frankenthaler (* 12. Dezember 1928 in New York City; † 27. Dezember 2011 in Darien, Connecticut) war eine US-amerikanische Malerin und bedeutende Vertreterin der Farbfeldmalerei (Color Field Painting) und des abstrakten Expressionismus.
Helen Frankenthaler (December 12, 1928 – December 27, 2011) was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades (early 1950s until 2011), she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work.
20 de dic. de 2023 · Helen Frankenthaler, Gateway, 1982–88 (recto) Recto: lost-wax bronze casting with applied patinas and 28-color intaglio print with etching, relief, and aquatint, with borders hand stenciled on three sheets; verso: 3 sandblasted bronze panels hand painted by the artist with a mixture of chemicals, pigments, and dyes; 81 × 107 × 4 ½ inches (205.7 × 271.8 × 11.4 cm); edition 6/12; cast at ...
