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  1. Ausbildung. Carolee Schneemann erhielt ein Vollstipendium für das New Yorker Bard College und war die erste Frau der Familie, die ein College besuchte. Ihr Vater, ein Landarzt, riet ihr von künstlerischer Ausbildung ab. Am College, wo sie Selbstporträts als Akt malte und Aktmodell für ihren Freund war, setzte sie sich mit den Unterschieden in der männlichen und weiblichen Wahrnehmung des ...

  2. Carolee Schneemann nasce il 12 ottobre 1939 in Pennsylvania.Studentessa per un B.A. in pittura presso il Bard College che ottiene nel 1959, nel 1961 ottiene un MFA in pittura presso l'Università dell'Illinois.A New York conosce James Tenney, borsista presso la Julliard nel campo della musica, originario del Colorado: si sposano in segreto e collaboreranno fino al 1968.

  3. In 1977, the US artist Carolee Schneemann was invited by the Telluride Film Festival to introduce a programme of films directed by women, including her own Fuses (1964-7) and Plumb Line (1968-71).

  4. The Carolee Schneemann Foundation is dedicated to preserving and promoting the legacy of Carolee Schneemann (1939–2019). Established by the artist in 2013, the Foundation advances the understanding of Schneemann’s work through scholarship, exhibitions, and publications. Over the next few years, the Foundation will establish a residency program at Schneemann’s home in upstate New York in ...

  5. Carolee Schneemann (October 12, 1939 – March 6, 2019) was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. in poetry and philosophy from Bard College and a Master of Fine Arts from the University of Illinois. Originally a painter in the Abstract Expressionist tradition, Schneeman was uninterested in the ...

  6. 14 de oct. de 2022 · Carolee Schneemann died in 2019, two years after receiving the Golden Lion at the Venice Biennale. Now through January 8, 2023, the Barbican in London is exploring her work in “Body Politics ...

  7. Carolee Schneemann is largely associated with her performance art of the 1960s and 1970s, in which she boldly addressed feminist and political issues in ways that shocked and engaged viewers. But she has always maintained that she is a painter, a fact often overlooked in discussions of her larger body of work.

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