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Julius Arthur Hemphill (* 24. Januar 1938, Fort Worth, Texas; † 2. April 1995, New York City) war ein US-amerikanischer Musiker des Creative Jazz. Er spielte hauptsächlich auf dem Altsaxophon, trat aber auch am Tenor- und Sopransaxophon sowie auf der Flöte in Erscheinung. Leben und ...
ジュリアス・ヘンフィル（Julius Hemphill、1938年 1月24日 - 1995年 4月2日） は、ジャズの作曲家、サクソフォーン奏者。 主にアルトサックスを使って演奏し、ソプラノやテナーサックス、フルートで演奏することはあまりなかった [2] 。
Dogon A.D. is an album by saxophonist Julius Hemphill. It was recorded in February 1972 in St. Louis, Missouri, and was initially released on LP in limited quantities later that year by Hemphill's own Mbari Records, a label he created for the express purpose of issuing his own music. [1] [2] The album was reissued on LP by the Freedom label in ...
12 de mar. de 2013 · A1 Dogon A.D. 14:30 A2 Rites 8:07 B1 The Painter 15:00 Alto Saxophone, Flute, Composed By, Producer -- Julius HemphillArt Direction -- Bob HeimallArtwo...
Texas-born alto saxophonist Julius Hemphill (1938) moved to St Louis in 1968 where he became a leader of the Black Artists' Group (BAG). He staged multimedia events such as Kawaida (1972), The Orientation Of Sweet Willie Rollbar (1973) and Obituary (1974). His status as one of the leading composers of his time was established by pieces in which bluesy melodies became the scaffolding of complex ...
11 de feb. de 2021 · Julius Hemphill conMalinké Elliott, K.Curtis Lyle, Abdul Wadud Baikida Carroll, John Carter, Olu DaraNels Cline, Allan Jaffe, Jehri Riley, Jack WilkinsJerome Harris, Dave Holland, Steuart Liebig, Roberto MirandaMichael Carvin, Alex Cline, Jack DeJohnette, Philip WilsonUrsula Oppens, Daedalus String QuartetRay Anderson, Marty Ehrlich, Janet Grice, John Purcell, Bruce PurseDisco 1: The Boyé ...
12 de oct. de 2022 · Julius Hemphill - alto and soprano saxophone (1928 - 1995) For over thirty-five years Julius Hemphill earned a reputation as one who broke down boundaries and defied labels. A prodigious composer who wrote luscious and shimmering sonorities with the ever-present tang of the blues, Hemphill was as comfortable writing for full orchestra as he was for his Sextet or Big Band.
