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David Nusair. Who's That Knocking at My Door is simply (and finally) unable to wholeheartedly establish itself as more than just a run-of-the-mill, far-from-accomplished student film. June 25, 2017. FULL REVIEW. Dennis Schwartz Movie Reviews. Dennis Schwartz. The crude semi-autobiographical film is a forerunner to Scorsese's powerful Mean Streets.
Who's That Knocking at My Door est un film américain réalisé par Martin Scorsese et sorti en 1967. Le film aussi connu sous le titre de I Call First [1]. C'est le premier film de Martin Scorsese, qu'il a commencé à tourner dès 1965 et qu'il mettra trois années à terminer.
About. Who's That Knocking at My Door? American legend Martin Scorsese ("GoodFellas," "Taxi Driver") made his feature directorial debut with this tender, touching love story about a couple unable to bridge the gap between their divergent worlds. This pre-"Mean Streets" autobiographical drama "surpasses similar efforts in 'The Graduate' and ...
Who's that Knocking at My Door est un film réalisé par Martin Scorsese avec Harvey Keitel, Zina Bethune. Synopsis : Petite frappe du quartier italien de New York, J.R. décide de se poser pour ...
After some reediting, the final product was released in 1969 as Who's That Knocking At My Door, though a re-release in the early 1970s came under yet another title, J.R. The film, which was also written by Scorsese, is the story of a young, Italian-American New Yorker (Harvey Keitel) who finds himself unable to accept the knowledge that his girlfriend -- and intended bride -- was previously raped.
Critics reviews. Martin Scorsese’s debut feature is an autobiographical look at the conflicted life of a young, Italian-American, Catholic man in early 1960s New York. J.R. (Harvey Keitel) spends his days and nights hanging out with his buddies in Little Italy, and looking to score with “broads.”.
Roger Ebert famously raved about Who’s That Knocking at My Door upon attending its premiere, calling it "technically comparable to the best films being made anywhere" and "a great moment in American movies." Only later did he confess that he may have been too eager in his initial praise, ...
