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24 de abr. de 2024 · Elio Petri (born January 29, 1929, Rome, Italy—died November 10, 1982, Rome) was an Italian motion-picture director and screenwriter. Petri’s formal education was limited; most of his formative experiences occurred on the streets, in his neighbourhood, and in the local cell of the Italian Communist Party , of which he was a militant member until 1956.
Elio Petri, né le 29 janvier 1929 à Rome et mort le 10 novembre 1982 dans la même ville, est un réalisateur, scénariste et critique cinématographique italien. Personnalité célèbre du cinéma italien , il est l'auteur d'œuvres d'inspiration politique et de dénonciation sociale, dans lesquelles il met en exergue le rapport entre l'homme et l'autorité [ 1 ] .
Elio Petri. “Making a movie today needs a lot of madness and a lot of love for cinema. And most probably this is the only positive side of the whole matter.”.
Descubre todas las películas de la filmografía de Elio Petri. De sus inicios hasta el final de sus 26 años de carrera.
19 de jun. de 2003 · The Films of Elio Petri. One of the most politically charged filmmakers to emerge in the European cinema of the 1960s, Elio Petri has often been overshadowed by such contemporaries as Bertolucci and Pasolini. Ripe for reexamination, his sleek oeuvre bears witness to a rare melding of Marxist ideology and cinematic sophistication. Beginning his ...
Elio Petri (1929 - 1982) fue un guionista y director de Italia conocido por Investigación sobre un ciudadano libre de toda sospecha, La clase obrera va al paraíso, La décima víctima (La víctima número diez), Monstruos de hoy, El amargo deseo de la propiedad, A cada uno lo suyo, El asesino, Todo modo, Un lugar tranquilo en el campo y I giorni contati
Elio Petri’s The 10th Victim is a satire about consumerism, advertising, television, and bourgeois boredom. Its treatment of decadence and ennui could be seen as a spoof of how these subjects are treated by Antonioni and Fellini. Although the term rom-com wasn’t around in 1965, ...
