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20 de sept. de 2018 · However, the story wasn’t always about Ralph and Vanellope saving Sugar Rush. According to directors Rich Moore and Phil Johnston, the internet itself was initially going to play the role of antagonist in the story. “[The internet] was a threat to the arcade. It was going to change their way of life,” said Johnston of this original idea.
22 de feb. de 2019 · Phil Johnston: Obviously we changed it… Rich Moore: Put her in contemporary clothes. Phil Johnston: So we were able to use the voice actress who plays Moana’s mom… Rich Moore: As the mom in the car… Phil Johnston: We named the baby Mo in the backseat. We actually didn’t follow our own advice and we read the comments and we put it in ...
6 de dic. de 2018 · We talked to directors Rich Moore and Phil Johnston about the technological tools that made the film possible, the ease of dealing with real-world companies like Google and eBay, the challenge of ...
23 de nov. de 2018 · From co-director Rich Moore and Phil Johnston, Ralph Breaks the Internet, the follow-up to 2012's Wreck-It Ralph, revisits the friendship between video game bad guy Ralph (voiced by John C. Reilly ...
Philip William "Phil" Johnston is an American writer and producer, who, for Disney, is known for his work on Wreck-It Ralph and Zootopia. He is the voice actor for Surge Protector in the former feature film and for Gideon Grey in the latter feature film. He also wrote and produced the film The Brothers Grimsby.
Phil Johnston is an American screenwriter and film producer. He is best known for writing the screenplay for Walt Disney Animation Studios' Wreck-It Ralph (2012) and Zootopia (2016). Some of his other works include writing Cedar Rapids and A Thousand Words. Johnston is married to journalist Jill...
21 de nov. de 2018 · Phil Johnston was one of the writers who worked on the original movie and is now a co-director on the film. Screen Rant: So, I heard a rumor that in 2015 you guys did a table read for Ralph Breaks the Internet. A lot's changed the Internet since 2015.
