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Bernard Herrmann (* 29.Juni 1911 in New York City; † 24. Dezember 1975 in Los Angeles) war ein US-amerikanischer Dirigent und Komponist, der durch seine Filmkompositionen bekannt wurde. Besondere Berühmtheit erlangte Herrmann durch seine Zusammenarbeit mit Regisseur Alfred Hitchcock, für den er unter anderem die Musik zu den Filmklassikern Psycho und Vertigo komponierte.
Bernard Herrmann, né le 29 juin 1911 à New York et mort le 24 décembre 1975 à Los Angeles, est un compositeur et chef d’orchestre américain. Il doit sa réputation internationale aux musiques qu'il écrivit pour les films d'Alfred Hitchcock.
Bernard Herrmann. Music Department: North by Northwest. The man behind the low woodwinds that open Citizen Kane (1941), the shrieking violins of Psycho (1960), and the plaintive saxophone of Taxi Driver (1976) was one of the most original and distinctive composers ever to work in film. He started early, winning a composition prize at the age of 13 and founding his own orchestra at the age of 20.
バーナード・ハーマン（Bernard Herrmann, 1911年 6月29日 - 1975年 12月24日）は、主に映画音楽で活躍したアメリカの作曲家である。 アルフレッド・ヒッチコック監督作品（『めまい』、『北北西に進路を取れ』など）や『市民ケーン』、『ケープ・フィアー』、『タクシードライバー』（遺作となった ...
Bernard Herrmann (1911-1975) From his first film, "Citizen Kane", to his last, "Taxi Driver", Herrmann was a master at evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His movie scores are amongst the most distinguished ever written, ranging ...
Bernard Herrmann. Bernard Herrmann, all'anagrafe Maximillian Herman [1] ( New York, 29 giugno 1911 – Los Angeles, 24 dicembre 1975 ), è stato un compositore e direttore d'orchestra statunitense . Lavorò con Alfred Hitchcock, Orson Welles, François Truffaut, Brian De Palma, Martin Scorsese. È considerato uno dei maggiori compositori di ...
Bernard Herrmann. Bernard Herrmann (nascido Maximillian Herman; Nova Iorque, 29 de julho de 1911 — Los Angeles, 24 de dezembro de 1975 ), foi um compositor e maestro americano. [ 1] Como maestro, ele defendeu a música de compositores menos conhecidos. Ele é amplamente considerado como um dos maiores compositores de cinema.
