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  1. 14 de ago. de 2023 · The artists behind notable Treatise recordings so far aren’t exactly “musical innocents.”Petr Kotík, a highly credentialed associate of Cardew’s who would go on to found and direct the long-running contemporary classical juggernaut S.E.M. Ensemble, performed Treatise pages he’d received from Cardew with his own QUaX Ensemble in Prague on October 15, 1967—the same year Treatise was ...

  2. Cornelius Cardew created Treatise, the ‘Mount Everest’ of visual musical scores and graphic notation, to break away from the straitjacket of traditional musical notation. There are many notable examples of graphic notation from Cowell to Cage, yet what sets Treatise apart is in its ambition and skill in conception.

  3. 4 de mar. de 2017 · Cornelius Cardew composed experimental works for each of the seven paragraphs of The Great Learning by Confucius (translated into English by Ezra Pound). Each piece is for different instrumentation. In March of 2017 we presented Paragraph 2, for drums and voice: groups were situated around our outdoor arcade, each group consisting of one drummer and a number of singers.

  4. 10 de nov. de 2008 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.

  5. 12 de feb. de 2015 · In the coded communications of his Party, the dead man had been known as Ernest. But he was born Cornelius Cardew, in Winchcombe, Gloucestershire, in 1936, and he was one of the most fascinating composers of the 20th century. Michael Nyman had first spoken of musical “minimalism” in a review of one of his works; Brian Eno was a fan.

  6. Works. Cornelius Cardew (b. 1936, Winchcombe, England; d. 1981) Scores for Volo Solo, The Great Learning, Thälmann Sonata, and Thälmann Variations, We Sing for the Future, Coming Together, Schooltime Compositions, Incidental Music to Words by Bertolt Brecht, and Six Dealer Concerts Dealt into Music Notation (1965–80) The British Library, London, Horace Cardew and Edition Peters

  7. Cornelius was the second of three sons born to Michael and Mariel Cardew. His father was a potter, his mother an artist. The family moved to Cornwall a few years after his birth and it was from here that he was accepted as a pupil by the Canterbury Cathedral School which had evacuated to the area during the war because of the bombing.