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Captain Beefheart was known for being a jerk almost as much as he was for being a genius, but guitar virtuoso Gary Lucas isn't interested in talking about all that. Lucas knew another side of Beefheart (real name: Don van Vliet), which he wants to focus on as he promotes The World of Captain Beefheart, an album designed to bring the infamous ...
Following on from his involvement with the Magic Band reunion, Fast ‘n’ Bulbous and the series of Symposia Gary Lucas continues his celebration of Don’s music with his latest project “The World of Captain Beefheart”.
"The World of Captain Beefheart" with Gary Lucas and the 60 piece Metropole Orchestra was performed at the Paradiso Amsterdam in Feb. 2013. Gary performed the Dutch live premiere of "I Have a Cat" with his co-pilot Co De Kloet as part of his Amsterdam Captain Beefheart Symposium at the Bimhuis on Sat. June 16th.
7 de dic. de 2017 · Gary Lucas is such an artist. As a guitarist in Beefheart’s band during the later years – appearing on Doc at the Radar Station (1980) and Ice Cream for Crow (1982) – his skills are finely ...
19 de jun. de 2012 · Gary Lucas. First saw Captain Beefheart play at a New York club in 1971. Their acquaintance was years old before he plucked up the courage to reveal that he played the guitar. Then Lucas’s wife became Beefheart’s manager and he was given an instrumental to play on ‘Doc at the Radar Station’ (1980).
UPDATE: Gary has contacted us to say that the Cutting Room gig has had to be POSTPONED. We will post details when it is rescheduled. Gary Lucas is presenting his THE WORLD OF CAPTAIN BEEFHEART show featuring legendary soul diva Nona Hendryx (Labelle) on vocals. You can catch this in NYC at The Cutting Room 44 East 32nd St on Read More →
19 de dic. de 2010 · Noted avant guitarist and composer Gary Lucas was a colleague and friend to Don Van Vliet, better known as Captain Beefheart, who died Friday. Calling him “the most compelling conceptualist I’d ever heard,” Lucas once told the Journal that Van Vliet had “taken the structure of the jazz and blues and rebuilt it like no one else had.”
