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In The Political Force of Musical Beauty, Barry Shank shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared sense of the world among otherwise diverse listeners.Rather than focusing on the ways in which music enables the circulation of political messages, he argues that communities grounded in the act and experience of ...
Trained in the interdisciplinary field of American Studies, Barry Shank’s books include The Political Force of Musical Beauty (Duke University Press, 2014), A Token of My Affection: Greeting Cards and American Business Culture (Columbia University Press, 2004), and Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas (Wesleyan University Press, 1994).
Barry Shank is Professor of Comparative Studies at Ohio State University. He is the author of The Political Force of Musical Beauty, Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas, and A Token of My Affection: Greeting Cards and American Business Culture, and a coeditor of American Studies: An Anthology and The Popular Music Studies Reader.
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Barry Shank is Professor of Comparative Studies at Ohio State University. Penny M. Von Eschen is Associate Professor of History and African American Studies at the University of Michigan. Table of contents. Notes on the Editors x. Acknowledgments to Sources xi. Introduction 1.
Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice ...
Shank's Barn, Oxford, Pennsylvania. 2,801 likes · 2 talking about this · 111 were here. ANTIQUES ARCHITECTURAL SALVAGE HOME IMPROVEMENTS
