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『長いお別れ』（ながいおわかれ、原題：The Long Goodbye）は、1953年に刊行されたアメリカの作家レイモンド・チャンドラーのハードボイルド小説。他の訳題には『ロング・グッドバイ』『長い別れ』（ながいわかれ）がある。
The Long Good-bye is a novel by Raymond Chandler, published in 1953, his sixth novel featuring the private investigator Philip Marlowe.Some critics consider it inferior to The Big Sleep or Farewell, My Lovely, but others rank it as the best of his work. Chandler, in a letter to a friend, called the novel "my best book". The novel is notable for using hard-boiled detective fiction as a vehicle ...
23 de abr. de 2006 · Robert Altman’s “The Long Goodbye” (1973) attacks film noir with three of his most cherished tools: Whimsy, spontaneity and narrative perversity. He is always the most youthful of directors, and here he gives us the youngest of Philip Marlowes, the private eye as a Hardy boy. Marlowe hides in the bushes, pokes his nose up against a window, complains like a spoiled child, and runs after a ...
Der Tod kennt keine Wiederkehr (Originaltitel: The Long Goodbye) ist ein US-amerikanischer Spielfilm aus dem Jahr 1973. Der Kriminalfilm unter der Regie von Robert Altman ist eine Verfilmung des Romans The long Good-bye (deutsch: Der lange Abschied) von Raymond Chandler. Elliott Gould spielt darin den Privatdetektiv Philip Marlowe, der von einem Freund, der sich als Mörder entpuppt, betrogen ...
Il lungo addio (The Long Goodbye) è un film noir del 1973, diretto dal regista Robert Altman, tratto dall'omonimo romanzo di Raymond Chandler.Il film annovera attori quali Elliott Gould nel ruolo di Philip Marlowe, Sterling Hayden nei panni di Roger Wade e Mark Rydell nel ruolo del gangster Marty Augustine.. Nel 2008, la rivista Empire ha elencato il film al 357mo posto nei 500 film più ...
Paul Clipson's "REEL". A new book of drawn & written notes describing brief moments from various films, moments that were meant to be unseen, to pass by unnoticed. Philip Marlowe is a private eye with an outmoded code of honour at odds with the mores of early ‘70s Los Angeles. A visit by an old friend in the night sets in train a series of ...
Robert Altman’s “The Long Goodbye” attempts to do a very interesting thing. It tries to be all genre and no story, and it almost works. It makes no serious effort to reproduce the Raymond Chandler detective novel it’s based on; instead, it just takes all the characters out of that novel and lets them stew together in something that feels like a private-eye movie.
