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12 de jun. de 2007 · The Complete Sessions by Jackie Gleason, Bobby Hackett released in 2007. Find album reviews, track lists, credits, ... Jackie Gleason Presents the Torch With the Blue Flame (1958) Jackie Gleason Presents Riff Jazz (1958) Jackie Gleason Presents Rebound (1958) Take Me Along [Original Cast Recording] (1959)
Hardly call this MOR (middle of the road) music jazz...Gleason was a HUGE movie and TV star who churned out so many Capitol "Elevator Music" LP's in the 60's and 70's...He did lead the orchestra though he couldn't read music...Songs he composed he hummed and they in turn put it down for the session players...La La, etc. is from this long airing CBS TV show and was used in many silent comedy ...
28 de abr. de 2022 · The six and a half LP's here represent all of the LP's Gleason recorded which feature trumpeter Bobby Hackett on them, which is essentially a run of albums from 1952 to 1959. The "Jackie Gleason Presents" romatic mood music series begins in 1952 with the release of the 10" LP of "Music for Lovers Only" and would continue for about 20 years.
Cornetist and trumpeter Bobby Hackett soloed on several of Gleason's albums and was leader for seven of them. ... The Best of Jackie Gleason: Capitol Record Club SWAO-90601 - 49 1968 Doublin' in Brass: Capitol SW/W2880 ... The Best of Jackie Gleason: Curb: 1994 Shangri-La: Pair 1995 Merry Christmas: Razor & Tie: 1995 Body & Soul: Pair
Jackie Gleason, Bobby Hackett. JAZZ · 2009 . Preview. Disc 1. Disc 2. May 1, 2009 102 Songs, 5 hours, 12 minutes ℗ 2009 Master Classics Records. ... 20 Best of Big Bands. BBC Big Band Orchestra. Canada (English) Français (Canada) Select a country or region. Africa, Middle East, and India See All . Algeria; Angola;
View credits, reviews, tracks and shop for the 2007 CD release of "The Complete Sessions" on Discogs.
1 de mar. de 2002 · Bobby Hackett: The Complete Capitol Bobby Hackett Solo Sessions. For a myriad of reasons, it seems that the audience which supports a major portion of jazz music’s current fortunes knows little about the mainstream artists of the ‘40s and ‘50s. It’s as if anything that occurred before Charlie Parker hit becomes lost in the shuffle.
