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  1. Nora Barnacle (Galway, 21 marzo 1884 – Zurigo, 10 aprile 1951) è stata l'amante, la compagna e infine la moglie dello scrittore James Joyce. Biografia Infanzia e giovinezza. Nata in una fabbrica di Galway, in Irlanda, nel 1884, da Annie Honoria Healy, 28enne ...

  2. 14 de jul. de 2017 · Nora Barnacle, the wife of James Joyce with their children. James Joyce and Nora Barnacle met on the streets of Dublin in 1904. Joyce was immediately struck by Barnacle, or at least what he could see of her since he was famously near-sighted and wasn’t wearing his glasses at the time. Joyce asked Barnacle on a date, only to be stood up.

  3. Nora Barnacle (* am 21. oder 22. März 1884 in Galway/Irland; † 10. April 1951 in Zürich) war die Lebensgefährtin und spätere Ehefrau des Schriftstellers James Joyce. Sie gilt als Vorbild der Molly Bloom im Ulysses, dem Hauptwerk von James Joyce.

  4. Barnacle (Joyce), Nora. Barnacle (Joyce), Nora (1884–1951), was born 21/2 March 1884 in the maternity ward of Galway city workhouse (which then served as general hospital for Galway), second daughter (and child) of Thomas Barnacle, baker, and Annie Barnacle (née Healy), seamstress and dressmaker. After the birth of a third child (1886), her ...

  5. 2 de feb. de 2016 · As an ardent lover of love letters, I have encountered few exemplars of the genre more piercing than those penned by James Joyce (February 2, 1882–January 13, 1941).. In 1904, just after his first major essay was rejected from publication, 22-year-old Joyce met Nora Barnacle — a young chambermaid he described as “a simple honorable soul,” one “incapable of any of the deceits which ...

  6. 19 de ene. de 2021 · Dubliner James Joyce gained international fame with the publication of his novel Ulysses in 1922. Joyce enjoyed a lifelong partnership with Nora Barnacle—an earthy, pragmatic Galway woman with ...

  7. 15 de mar. de 2021 · But when you’re writing a novel about Nora Barnacle and James Joyce, and the letters are published and are, well, just there, they become impossible to ignore. Whenever I told anyone I was writing a bio-fictional novel about Nora and Joyce, they would remark, with glow-eyed glee, “Oh, no doubt you’ll include the letters.”