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25 de may. de 2011 · "And then Hemingway punched me in the mouth."
Between a youthful stint as a TV gag man and his groundbreaking films of the 1970s, Allen tried his hand at standup. He was, predictably, a success. Taken from nightclub dates in 1964, 65 and 68, Standup Comic shows how stylistically similar he was to contemporaries like Bill Cosby but also how his absurd flights of imagination made him utterly unique.
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Before he emerged as one of the foremost American filmmakers of the 20th century, Woody Allen was a standup comic. Although his tenure as a performing comedian was relatively short-lived, its importance to the development of his later work was pivotal; on-stage and on record, Allen honed to perfection the uniquely neurotic and uniquely New York sensibility which became the hallmarks of his ...
5 de nov. de 2006 · A lot of this CD's worth lies in its documentary value, which might seem like faint praise except for the great period that's being documented. For Woody Allen it was the transition between his writing-for-hire (not only for television, but early movie work such as What's New Pussycat?) and his filmmaking career, which would begin in earnest with 1969's Take the Money and Run. Dated or not ...
22 de abr. de 2015 · But for those who do, Woody Allen The Stand-Up Years 1964-1968 is a goldmine of hilarity. Though while these jokes are between forty-five and fifty years old, they all hold up well, especially since Allen’s humor is largely situational, even when ludicrous, and is largely devoid of topical references. More importantly, it’s also still unique.
Standup Comic: 1964-1968 ( 2 × LP, Compilation, Gatefold) United Artists Records, United Artists Records. L 45801/2, UA-LA849-J2. Australia. 1978. Recently Edited. Standup Comic 1964 - 1968 ( Cassette, Compilation, Reissue) United Artists Records. CA 849 J2.
