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  1. One of the greatest films about film ever made, Federico Fellini’s marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s artistic crisis into a grand epic of the cinema. Marcello ...

  2. . Directed by. Federico Fellini. Italy, France, 1963. Drama, Fantasy, Comedy. 139. Synopsis. Struggling to find inspiration for his next project, acclaimed director Guido Anselmi wrestles with his dreams, memories and desires in his search for creativity.

  3. 13 de abr. de 2015 · BFI trailer for the new restoration of Federico Fellini's Oscar winning 8 1/2 (Otto E Mezzo). Book tickets for BFI Southbank screenings here: http://bit.ly/1...

  4. . Directed by Federico Fellini • 1963 • Italy. Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini's 8 1/2 (Otto e mezzo) turns one man's artistic crisis into a grand epic of the cinema.

  5. 12 de ene. de 2010 · : a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, surely goes beyond any predecessor in having itself as its subject. By 1963, Federico Fellini had made, by his count, seven and a half films.

  6. Troubled Italian filmmaker Guido Anselmi (Marcello Mastroianni) struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the ...

  7. Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.