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As adults, the three Tenenbaum children are wearied, tragic versions of their former selves. Chas (Ben Stiller) is mourning the loss of his wife in a plane crash six months earlier, and is struggling with the duty of raising their two sons, Ari and Uzi, on his own. Margot (Gwyneth Paltrow) is stoic and enigmatic, suffering from writer's block ...
The Royal Tenenbaums. Royal Tenenbaum (Gene Hackman) and his wife, Etheline (Anjelica Huston), had three children—Chas, Margot, and Richie—and then they separated. Chas (Ben Stiller) started buying real estate in his early teens and seemed to have an almost preternatural understanding of international finance.
21 de dic. de 2001 · Wes Anderson's "The Royal Tenenbaums" exists on a knife edge between comedy and sadness. There are big laughs, and then quiet moments when we're touched. Sometimes we grin at the movie's deadpan audacity. The film doesn't want us to feel just one set of emotions. It's the story of a family that at times could have been created by P.G. Wodehouse, and at other times by John Irving. And it's ...
La Famille Tenenbaum (The Royal Tenenbaums) est un film américain réalisé par Wes Anderson sorti en 2001.C'est le troisième long-métrage du réalisateur. Le film suit la vie des trois enfants Tenenbaum qui ont tous connu un grand succès dans leur jeunesse avant de subir des déceptions et des échecs à l'âge adulte.
I Tenenbaum ( The Royal Tenenbaums) è un film del 2001 diretto da Wes Anderson . Il film, costato circa 20 milioni di dollari, ne incassò 71 milioni in tutto il mondo di cui 52 in patria, diventando in breve tempo un cult, nonché il primo successo di Wes Anderson.
The Royal Tenenbaums. A man and his wife had three children -- Chas, Margot, and Richie -- and then they separated. Chas started buying real estate, Margot was a playwright, and Richie was a junior champion tennis player. 5,566 IMDb 7.6 1 h 49 min 2002. X-Ray R.
Launching his career from indie darling to one of the most visionary auteurs in the business, THE ROYAL TENENBAUMS is peak Wes Anderson, introducing the worl...
