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Dead City Radio. In 1988, genius producer Hal Willner (best known, perhaps ironically, for his Disney tribute album STAY AWAKE) traveled to Lawrence, Kansas and taped NAKED LUNCH author and Beat Generation legend William Burroughs performing excerpts from his ... Full Descriptionwork. He then enlisted the likes of Donald Fagen and Sonic Youth ...
Donald Jay Fagen (born January 10, 1948) is an American musician best known as the co-founder, lead singer and keyboardist of the band Steely Dan.. Early life. Fagen was born in Passaic, New Jersey, on January 10, 1948, [1] to Jewish parents, Joseph "Jerry" Fagen, an accountant, and his wife, Elinor, a homemaker who had been a swing singer in upstate New York's Catskill Mountains from ...
26 de abr. de 2009 · William S. Burroughs - Dead City Radio feat. John Cale, ... 7 A New Standard By Which To Measure Infamy (1:47) Featuring - Donald Fagen 8 The Sermon On The Mount 1 ("WSB Reads The Good Book") (1:30) 9 No More Stalins, No More Hitlers (1:00) Featuring - John Cale
Donald Fagen discography and songs: Music profile for Donald Fagen, born 10 January 1948. Genres: Sophisti-Pop, Jazz Pop, ... Dead City Radio. 1990 • Album • William S. Burroughs . 3.82. 34. 4. 34 4 Gold (Expanded Edition) 1991 • Compilation • Steely Dan. Show all 13 Appearances.
Steely Dan is an American rock band founded in 1971 in New York by Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Originally having a full band lineup, by the end of 1974 Becker and Fagen chose to stop playing live and continue Steely Dan as a studio-only duo, utilising a revolving cast of session musicians.
31 de dic. de 2014 · Grateful Dead; Netlabels; Old Time Radio; 78 RPMs and Cylinder Recordings; Top. ... Big City by Donald Fagen. Publication date 1988-04-01 Usage Attribution-NonCommercial 4.0 International ... Lead vocals, keys – Donald Fagen. Alto sax – Dave Tofani. Tenor sax – Harold Vick. Tenor sax – Michael Brecker.
19 de dic. de 2007 · The Nightfly' s conceptual premise is a look back to the culture—popular and political—of the 1950s, with the title track's tender look at the importance of radio now especially poignant, given that medium's decreasing importance in getting new music heard. The lyrics represent a departure for Fagen in terms of content; but the music ...
