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  1. 1 de nov. de 2011 · Mike PattonThe Solitude Of Prime Numbers (Music From The Film And Inspired By The Book) More images. Label:Ipecac Recordings – IPC131: Format: CD, Album. Country:US: ... The Solitude Of Prime Numbers (Music From The Film And Inspired By The Book) (CD, Album)Ipecac Recordings: DYMC-7018: Japan: 2011: Recommendations. Mondo Cane.

  2. "Mike Patton, moved by the Paolo Giordano novel The Solitude of Prime Numbers and having contributed music to the movie of the same name, has created a 16-track release that boasts some of the most contemplative and stirring music of his multi-faceted career with Patton describing the release as a personal "sonic departure." Where Patton's projects (Faith No More, Mr Bungle, Fantômas, Mondo ...

  3. www.albumoftheyear.org › album › 52580-mike-patton-the-solitude-of-prime-numbersMike Patton - The Solitude of Prime Numbers

    29 de mar. de 2016 · Music Reviews: The Solitude of Prime Numbers by Mike Patton released in 2011. Genre: Cinematic Classical.

  4. 1 de ene. de 2011 · Listen to The Solitude of Prime Numbers by Mike Patton on Apple Music. Stream songs including "02-Twin Primes", ... Music to Make Love to Your Old Lady By (feat. Mike Patton, Jennifer Charles, Kid Koala & Dan the Automator) 2001. The Place Beyond the Pines (Original Motion Picture Soundtrack) 2013. Mondo cane. 2010. Corpse Flower. 2019.

  5. 9 de nov. de 2011 · View credits, reviews, tracks and shop for the 2011 CD release of "The Solitude Of Prime Numbers (Music From The Film And Inspired By The Book)" on Discogs. Everything Releases Artists Labels. Advanced ... Mike Patton - 02 - Twin Primes. 1:57; Mike Patton - 03 - Identity Matrix. 0:57; Mike Patton - 05 - Method of ...

  6. 1 de nov. de 2011 · Music Critic review of The Solitude of Prime Numbers, the Nov 1, 2011 album release by Mike Patton. The Solitude of Prime Numbers is director Saverio Costanzo's rather odd cinematic adaptation of the novel of the same title by Paolo Giordano.

  7. The theme is captured well in Patton’s arrangements, with sufficient gaps in frequency content to create a feeling of detachment. What’s more, Patton daringly negotiates the border of pretentiousness by opting to number the tracks sequentially with the first 16 prime numbers, explicitly enforcing the image of solitude.