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Terence Fisher est un Réalisateur, Monteur, Scénariste britannique. Découvrez sa biographie, le détail de ses 38 ans de carrière et toute son actualité
Cines 0. Terence Fisher. Director. en. Drácula (1958) Drácula, príncipe de las tinieblas (1966) La momia (1959) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones, listas y ...
Terence Fisher (* 23. Februar 1904 in London; † 18. Juni 1980 ebenda) war ein britischer Regisseur und Filmeditor. Bekannt wurde Fisher hauptsächlich als Stammregisseur der britischen Hammer-Studios, wo er unter anderem für den Erfolg der Horrorfilmreihen um Dracula und Frankenstein mit Christopher Lee und Peter Cushing ...
Fisher has said that, of these early films, he is proudest of To the Public Danger (a 1948 morality film about alcohol excess). In 1952, at the age of 48, Fisher joined Hammer Films and toiled on two relatively minor science fiction pictures, The Four-Sided Triangle (which he also co-wrote) and Spaceways .
There’s a directorial approach in a Terence Fisher picture that is not apparent on other Hammer movies, most notably among the Gothic horror helmed by other directors.(452) This is a claim which is also amply borne out by Hutchings’s analyses of the mise-en-scène of The Curse of Frankenstein (1957) and The Devil Rides Out (1968) in particular.
29 de jul. de 2007 · Terence Fisher sera, jusqu’en 1962, date de l’échec commercial de son Phantom of the Opera/Le Fantôme de l’opéra, le cinéaste attitré de la Hammer, quasi exclusivement chargé de passer en revue toute la panoplie du gothique cinématographique.
Terence Fisher (23 February 1904 – 18 June 1980) was a film director who worked for Hammer Films. He was born in Maida Vale, a district of London, England. Fisher was one of the most prominent horror directors of the second half of the 20th century. He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern ...
