Resultado de búsqueda
『真夜中のカーボーイ』（ Midnight Cowboy ）は、1969年公開のアメリカ映画。製作会社はユナイテッド・アーティスツで、監督はジョン・シュレシンジャー。 ジェームズ・レオ・ハーリヒー （英語版） の 同名小説 （英語版） をウォルド・ソルトが脚色。
One of the British New Wave’s most versatile directors, John Schlesinger came to New York in the late 1960s to make Midnight Cowboy, a picaresque story of friendship that captured a city in crisis and sparked a new era of Hollywood movies. Jon Voight delivers a career-making performance as Joe Buck, a wide-eyed hustler from Texas hoping to score big with wealthy city women; he finds a ...
Macadam Cowboy 1 (titre original : Midnight Cowboy) est un film dramatique américain réalisé par John Schlesinger sorti en 1969 . Classé X à sa sortie en salles par la commission de classification américaine en raison de ses scènes érotiques, il a été récompensé par trois Oscars en 1970 (dont celui du meilleur film, une première ...
Asphalt-Cowboy (Originaltitel: Midnight Cowboy) ist ein US-amerikanisches Filmdrama aus dem Jahr 1969 von John Schlesinger mit Dustin Hoffman und Jon Voight in den Hauptrollen. Vorlage war der Roman Midnight Cowboy (deutscher Buchtitel: Mitternachts-Cowboy oder auch Rodeo der Nacht) aus dem Jahr 1965 von James Leo Herlihy.Der Oscar-prämierte Film stellt bewusst Antihelden in den Mittelpunkt ...
When Joe Buck (Voight), a good-looking, naively charming Texas 'cowboy' makes his way to the Big Apple to seek his fortune, the only wealth he finds is in the friendship of Ratso Rizzo (Hoffman), a sleazy, small-time con man with big dreams. Living on the tattered fringe of society, these two outcasts develop an unlikely bond, one that ...
Un uomo da marciapiede (Midnight Cowboy) è un film del 1969 diretto da John Schlesinger e interpretato da Dustin Hoffman e Jon Voight, basato sull'omonimo romanzo del 1965 di James Leo Herlihy.. Considerato un classico della storia del cinema e un archetipo della "Nuova Hollywood", alla sua uscita fu identificato dal New York Times come esempio di un'imminente ondata di film con tematiche per ...
"Midnight Cowboy" comes heartbreakingly close to being the movie we want it to be. The performances have a flat, painful accuracy. The world of Times Square, a world of people without hope and esteem, seems terribly real. Here is America's underbelly and it even smells that way. And seeing these things and reaching to them, we are ready to praise the movie where we found them. And cannot.
