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Madame X or Portrait of Madame X is a portrait painting by John Singer Sargent of a young socialite, Virginie Amélie Avegno Gautreau, wife of the French banker Pierre Gautreau. Madame X was painted not as a commission, but at the request of Sargent. It is a study in opposition. Sargent shows a woman posing in a black satin dress with jeweled straps, a dress that reveals and hides at the same ...
2 de ene. de 2015 · John Singer Sargent’s Portrait of Madame X caused a massive scandal upon its debut in Paris in 1884, in part because it emphasised the sexual allure of a married woman (Wikipedia) She was born ...
Madame X: Directed by David Lowell Rich. With Lana Turner, John Forsythe, Ricardo Montalban, Burgess Meredith. When her lover is killed, the wife of a wealthy man is convinced to fake her own death, which leads her into greater depths of depravity until fate reunites her with her long-lost son, who is unaware of her real identity.
From the Archives: How Madame X Came to the Met In honor of the one hundredth anniversary of the Met's acquisition of Madame X , Assistant Research Curator Stephanie L. Herdrich revisits the correspondence between John Singer Sargent and then-Director Ned Robinson.
14 de oct. de 2023 · The painting is oil on canvas and measures 208.6cm x 109.9cm unframed. The portrait was painted by Sargent in 1883-1884 and was destined to become one of the artist's most iconic works. The subject of Madame X is Madame Pierre Gautreau. Madame Gautreau was born Virginie Amelie Avegno in 1859 in Louisiana. The portrait was not commissioned by ...
John Singer Sargent (American, 1856–1925). Madame X (Madame Pierre Gautreau), 1883–84. Oil on canvas, 82 1/8 x 43 1/4in. (208.6 x 109.9cm). The Metropolitan Museum of Art, New York, Arthur Hoppock Hearn Fund, 1916 (16.53) Sargent worked with obsessive intensity to capture the exotic, even bizarre appearance of Madame Gautreau, an American ...
Madame X (Madame Pierre Gautreau) American artist John Singer Sargent painted this portrait of Madame Pierre Gautreau in Paris in 1884 and asked the Met to disguise the sitter's name upon selling it in 1916. Madame Pierre Gautreau (the Louisiana-born Virginie Amélie Avegno; 1859–1915) was known in Paris for her artful appearance.
