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  1. 29 de dic. de 2022 · Deze plaat is niet van John Mayall & The Bluesbreakers maar een trioplaat, uitgekomen onder de trionaam: John Mayall / Jerry McGee / Larry Taylor. Een trio dus, zonder drums, wat wonderwel goed werkt. De bas en slaggitaar houden prima de maat waardoor de zang, dobro, sitar, harmonica etc. wat meer de ruimte krijgen.

  2. en.wikipedia.org › wiki › John_MayallJohn Mayall - Wikipedia

    John Mayall OBE (born 29 November 1933) is an English blues and rock musician, ... Back to the Roots did not promote new names, and USA Union and Memories had been recorded with American musicians. Mayall had exhausted his catalytic role on the British blues-rock scene and was living in Los Angeles.

  3. Credits. Artwork, Design – John Mayall. Bass Guitar – Larry Taylor. Engineer – Jim Hobson. Harmonica, Rhythm Guitar, Twelve-String Guitar, Piano – John Mayall. Lead Guitar, Dobro, Sitar – Jerry McGee. Mastered By – LH *. Producer – John Mayall. Written-By – John Mayall.

  4. John Mayall discography. The discography of English blues rock musician John Mayall, including the band John Mayall & the Bluesbreakers, consists of 35 studio albums, 34 live albums, 24 compilation albums, four extended plays (EPs), 44 singles and four video albums. Mayall's 38th studio album was released in 2022.

  5. Written-By, Producer, Artwork, Design, Harmonica, Rhythm Guitar, Twelve-String Guitar, Piano – John Mayall Notes Recorded at Larrabee Sound Studios, Los Angeles, between the 7th and 9th of July 1971.

  6. Back to the Roots by John Mayall released in 1971. Find album reviews, track lists, credits, awards and more at AllMusic. ... Memories (1971) Back to the Roots (1971) Jazz Blues Fusion (1972) Ten Years Are Gone (1973) Moving On (1973) Latest Edition (1974) Notice to Appear (1975)

  7. 2 de dic. de 2006 · But on 'Memories' John Mayall makes up for his pigment, nationality and time-period with sheer honesty. Despite the occasional wince from lyrics that can seem direct to the point of child-like and despite music that is stubbornly introspective without having quite the subtle expressiveness of Tim Buckley, ...