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  1. 19 de sept. de 2018 · 1. Amedeo Modigliani was both in Livorno, Italy. At the time of his birth, his father, an Italian Jewish businessman, had recently declared bankruptcy. It is said that Modigliani’s actual birth saved the family from ruin, as it was on the same day that creditors came to seize all of their assets, but, because of an ancient law, creditors were not allowed to take the bed of a woman in labor ...

  2. 26 de may. de 2022 · The Modigliani and Miller approach to capital theory, devised in the 1950s, advocates the capital structure irrelevancy theory. This suggests that the valuation of a firm is irrelevant to a company’s capital structure. Whether a firm is high on leverage or has a lower debt component has no bearing on its market value.

  3. Every day, 10:30 am–5:30 pm. Members-only hours select Mondays, 6–8 pm. Plan your visit. 1071 Fifth Avenue New York, NY 10128. (Between 88th and 89th Streets) Get directions. Learn about CityPASS® and other ways to save. Learn about who we are and what we care about.

  4. 30 de nov. de 2020 · Autorretrato, 1919, Modigliani. Oleo sobre tela, 100 x 65 cm. Sao Paulo, colección privada. Amedeo Modigliani artista maldito, poeta apasionado, escultor, aristócrata, bohemio pendenciero y maníaco fue un maestro profundamente solitario, en un momento donde abundaron los maestros y las escuelas de todo tipo. Max Jacob lo describió en esa ...

  5. Amedeo Clemente Modigliani ( Livorno, 12 de juliol de 1884 – París, 24 de gener de 1920) va ser un pintor i escultor italià que va desenvolupar la major part de la seva carrera a França. Va nàixer a Livorno, i va començar els seus estudis artístics a Itàlia abans de traslladar-se a París l'any 1906.

  6. www.smithsonianmag.com › arts-culture › modigliani-misunderstood-84411676Modigliani: Misunderstood | Smithsonian

    Modigliani’s mother and siblings in Italy never benefited— they owned few, if any, of his paintings. Fourteen-month-old Jeanne’s only inheritance was a collection taken up on her behalf by ...

  7. Let us now turn to the incontrovertible evidence. Among these, we must include the photos that allow us to give an exact chronology to the sculptures reproduced there, such as the photos of the 5 heads taken in 1911 inside the Amadeo de Souza Cardoso atelier in rue du Colonel Combes, where Modigliani, with Brancusi's help (who sent a letter of invitation to P. Alexandre), set up a small ...

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