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Sophisti-pop (sofistikovaný či elegantní pop) je hudební žánr, který popisuje rádiově-orientovanou jemnou popovou hudbu s jazzovými a soulovými prvky. Sophisti-pop se objevil na přelomu osmdesátých let; mezi typické hudební nástroje patří syntetizér (rozmach syntetizérů nastal v 80. letech minulého století).
Matt Bianco, an Album by Matt Bianco. Released 10 March 1986 on WEA (catalog no. 240 880-1 WX 35; Vinyl LP). Genres: Sophisti-Pop, Dance-Pop. Rated #973 in the best albums of 1986.
26 de abr. de 1993 · Tears for Fears. 4.20 1,325 24. June 1985. Pop Rock Synthpop Sophisti-Pop. Art Pop New Wave Sophisti-Pop Big Music Progressive Pop. passionate melodic love bittersweet romantic longing melancholic lush. The Downtown Lights / The Wires Are Down / Halfway to Paradise. The Blue Nile. 4.10 591 8.
In the middle part of the 1980s, British musicians developed a sophisticated style of pop music which infused the synth-pop innovations of the early 1980s with soul, jazz and world music nuances. Its greatest pioneer was late Roxy Music, who had created the sound on their loungey, late-career classics "Flesh and Blood" (1980) and "Avalon" (1982). By mid-decade, their sonic palette was being ...
Sophisti-Pop is a subgenre of Alternative Rock and an umbrella term that describes the numerous bands whose sound was very lavish and "sophisticated". The genre can best be described as New Wave Music with a heavy jazz-rock influence, particularly from Steely Dan and latter-day Roxy Music, whose final album Avalon is widely considered the Trope Maker for the genre.
6 de sept. de 2013 · Sophisti-pop. A sub-genre of pop in UK that extensively used electronic keyboards, elaborate arrangements and borrowed elements from soul music. <br><br>Bands such as Swing Out Sister (above) were popular in the 1980s. The genre has recently seen a revival, thanks to artistes such as Jessie Ware.
25 de mar. de 2022 · For nearly 20 years, Everything but the Girl (EBTG) flourished in and around a subgenre of the British New Wave called sophisti-pop, which leaned on jazz sensibilities as heavily as it did on synth chords. It was 1982 when singer Tracey Thorn paired with guitarist Ben Watt, who also played keyboards and produced.
