Resultado de búsqueda
Édouard Manet. Manet Édouard (Eduaras Man) 1832 01 23 Paryžius 1883 04 30 Paryžius, prancūzų tapytojas, grafikas. 1850–1856 mokėsi T. Couture’o dailės mokykloje Paryžiuje.Kūrybinius ieškojimus grindė Luvre kopijuotais italų renesanso ir 17 a. žymiausių dailininkų (Giorgione’s, Tiziano, Tintoretto) bei F. Halso ir E. Delacroix kūriniais, gamtos studijomis.
Édouard Manet was a provocateur and a dandy, the Impressionist generation’s great painter of modern Paris. This first-ever exhibition to explore the last years of Manet’s short life and career reveals a fresh and surprisingly intimate aspect of this celebrated artist’s work. Stylish portraits, luscious still lifes, delicate pastels and watercolors, and vivid café and garden scenes ...
12 de ene. de 2024 · Édouard Manet. From Wikimedia Commons, the free media repository. Édouard Manet (1832–1883) Description. French painter, illustrator, lithographer, architectural draftsperson and drawer. Date of birth/death. 23 January 1832. 30 April 1883. Location of birth/death.
MANET, Édouard, Gospođica Victorine u odjeći toreadora, 1862., New York, Metropolitan Museum of Art. Manet [manε'], Édouard, francuski slikar i grafičar (Pariz, 23. I. 1832 – Pariz, 30. IV. 1883). Izravni prethodnik impresionista, začetnik novoga likovnog naziranja koje znači prekretnicu u francuskome i europskom slikarstvu.
Édouard Manet (23. jaanuar 1832 Pariis – 30. aprill 1883 Pariis) oli prantsuse maalikunstnik. Édouard Manet' tuntuimad teosed on "Eine murul" ja "Olympia". Need tekitasid kunstniku eluajal palju kõneainet ja mõjutasid tugevalt noori kunstnikke, kes kujundasid välja impressionismi.
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting.
Manet was equally provocative in his approach to painting, laying down intense contrasts of light and dark, creating brazenly unmodulated paint surfaces, and asserting the primacy of flattened pattern and color. For these innovations, Manet attracted unrelenting hostility and scorn. Particularly shocking to the Parisian public was Manet's ...
