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  1. Mario Bava (31. juli 1914 i San Remo, Italien – 27. april 1980 i Rom) var en italiensk filminstruktør og oprindeligt filmfotograf, der arbejdede i mange genrer, men især huskes for horrorfilmen La maschera del demonio (1960) med Barbara Steele i en dobbeltrolle som vampyr og offer, og tegneseriefilmatiseringen Diabolik (1968) med John ...

  2. 12 de ene. de 2022 · A BAY OF BLOOD (1971) A family’s murderous battle over some bayfront property is the subject of Bava’s bloody horror-thriller, which many have cited as the grandfather of the modern slasher film. There are throat hackings, face choppings and spears through copulating bodies – murder scenes that were all imitated in Steve Miner’s Friday ...

  3. Mario Bava (itāļu: Mario Bava, dzimis 1914. gada 13. jūlijā, miris 1980. gada 27. aprīlī) bija itāļu kinorežisors, strādājis arī par operatoru, specefektu mākslinieku un scenāristu. Bieži tiek dēvēts par "itāļu šausmu meistaru". Viņa mazbudžeta šausmu filmas, pazīstamas ar sev raksturīgu vizuālo stilu un tehniskajiem risinājumiem.

  4. Mario Bava murió en 1980. Su debut en la pantalla. Gli eroi della domenica. Fecha de estreno desconocida La mujer más guapa del mundo. 1 de abril de 1956. Caltiki, el monstruo inmortal.

  5. 10 de mar. de 2024 · Mario Bava was an influential Italian horror filmmaker active between the 1940s and late '70s. He was a polymath, working as a special effects artist, writer, and cinematographer in addition to ...

  6. 31 de mar. de 2023 · Mario Bava movie reviews & film summaries | Roger Ebert. Movie Reviews TV/Streaming Interviews Collections Great Movies Chaz's Journal Contributors Cast and Crew Mario Bava Find on IMDB. Find on Wikipedia. Reviews. Baron Blood (1972) Roger Ebert. Directed by. Danger: Diabolik (1968) Roger Ebert.

  7. As an uncredited visual effects artist on Argento's Inferno (1980), Bava aided in creating one of cinema's closest equivalents to a nightmare captured on film. Long after his death in 1980 resulting from a heart attack, Bava's legacy would live on through both his son and a "lost" film that never saw the light of day in his own lifetime.