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11 de sept. de 2018 · Mikhaël Hers: You’re right, because it starts off with ordinary life, and so it seems very light, trivial and banal. Then it becomes a drama, and later on, it becomes even more dramatic. I think that your question stems from the fact that it’s shot on 16 mm, whereas today we are more used to digital, and so there is something very defined about that.
25 de jun. de 2023 · Mikhaël Hers – Primrose Hill (2007) Quote: It’s an album-length drama of friendship and disappearance, youth and responsibility, backed by a soundtrack of overlooked indie-rock classics and Hers’ subtle and flowing direction. As Primrose Hill begins, four friends finish band practice and head off on a long walk.
3 de ene. de 2020 · Mikhaël Hers’s film is scrupulously careful not to assign specific blame for the disaster or the curtailment of freedoms; a background news report links the shooting to “Islamic terrorism”, but this is not developed.
Amanda is a 2018 French drama film directed by Mikhaël Hers. Plot. Living in Paris, 24-year-old David is close to his sister Sandrine – a single mother – and her seven-year-old daughter, Amanda. Sandrine is an English teacher, while David looks after holiday lets and is a part-time gardener. He meets ...
7 de mar. de 2022 · Siendo la cuarta película dirigida por Mikhaël Hers (Mi vida con Amanda) y compartiendo guion con Maude Ameline y Mariette Désert, sin duda tendrá muy buena acogida en las grandes pantallas.El largometraje, de casi dos horas de duración, cuenta también con imágenes de archivo de la ciudad de París en los años 80.
On election night in 1981, celebrations spill out onto the street and there is an air of hope and change throughout Paris. But for Elisabeth, her marriage is coming to an end and she will now have to support herself and her two teenage children. She finds work at a late-night radio show and encounters a troubled teenager named Talulah whom she ...
The films of Mikhaël Hers are no exception, though as with most any artist, he has his predilections. Some of his films’ titles are suggestive in this regard: Ce sentiment de l’été (2015) expresses his affinity for summer, while his latest, Les passagers de la nuit , points to an alliance with the desires of the night.
