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Mel Bochner was born in 1940 and is recognized as one of the leading figures in the development of Conceptual art in New York in the 1960s and 1970s. Emerging at a time when painting was increasingly discussed as outmoded, Bochner became part of a new generation of artists which also included Eva Hesse, Donald Judd, and Robert Smithson ...
Mel Bochner (born 1940) is an American conceptual artist. Bochner received his BFA in 1962 and honorary Doctor of Fine Arts in 2005 from the School of Art at Carnegie Mellon University. He lives in New York City. Bochner is Jewish and his work sometimes explores Jewish themes. Starting in the 1960s, he evolved several of the exhibition ...
Descending from phrases such as ‘top dog’ and ‘king of the hill’ into macho mantras such as ‘rule with an iron hand’, the latest paintings of American artist Mel Bochner (b. 1940) use a thesaurus to generate word chains that are both mordantly funny and bursting with colour.. Bochner shares with other artists who emerged in the 1960s, including Sol LeWitt, Eva Hesse and Robert ...
Press. MEL BOCHNER Born 1940 in Pittsburgh, Pennsylvania Lives and works in New York City Download CV. Solo Exhibitions. 2018. “Amazing! Works by Mel Bochner,” Philbrook Museum of Art, Tulsa, Oklahoma. 2017. “Mel Bochner: Language is Not Transparent [Brussels, 2017],” Gladstone Gallery, Brussels “Voices,” Peter Freeman, Inc., New ...
Mel Bochner. Date of birth. 1940. See all 92 artworks ›. 3-Way Fibonacci Progression, 1966. Mel Bochner. 1/2/3, 1966. Mel Bochner. The Domain of the Great Bear, 1966.
1 de may. de 2014 · “Mel Bochner: Strong Language,” an elegantly produced exhibition at the Jewish Museum, gives them their due and traces their roots back to text-based works that Mr. Bochner created in the ...
“Mel Bochner: 1973–1985” organized by the Carnegie-Mellon University Art Gallery, 3 Pittsburgh, focused attention on Bochner’s thoughtfully orchestrated “return to painting,” which he had not practiced since shortly after art school, in the early ’60s. Curator Elaine A. King built her case on the generative role of the drawings (at the Hewlett Gallery, on campus), and on the 1980 ...
