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Anselm Kiefer, Für Rabbi Löw, 2010–12, mixed media on canvas, 3.8 × 5.6 m Anselm Kiefer has been ruffling a few feathers in the Parisian art world of late. When his New York representative, Gagosian Gallery, and his Paris gallery, Thaddaeus Ropac, both decided to open new premises in the banlieues within the same week, each one leading with an exhibition dedicated to the German-born ...
8 de abr. de 2024 · Anselm Kiefer, who was born in Germany in 1945, studied law before beginning his art education in Karlsruhe and then Düsseldorf. Now seen as one of the most successful artists of his generation, he represented his country at the 39th Venice Biennale in 1980 and was elected an honorary member of London’s Royal Academy in 1996.
Anselm Kiefer (Donaueschingen, 8 maart 1945) is een Duitse kunstschilder en beeldhouwer. Werkbeschrijving. Kiefer gebruikt in zijn werk naast verf ook materialen als stro, zand, glas, as, beton, roestig ijzer, klei, haar en lood. Zijn werk zit vol ...
Anselm Kiefer’s 1973 painting, Resurrexit, is a haunting depiction of an abandoned forest road. The trees are covered in blood and there is a primeval snake slithering throughout the scene. At the fading point of the road is a wooden staircase that leads to an unknown destination. Kiefer often incorporates unusual materials such as straw, ash ...
22 de jun. de 2022 · Jérôme Sans visits La Ribaute in Barjac, France, the vast studio-estate transformed by Anselm Kiefer over the course of decades. The labyrinthine ... In the underground passages of La Ribaute, however, various objects and materials are still stored, like an encyclopedia of life, a reactivation of “the Arsenal” of his old ...
While Americans have often understood Kiefer to be a sole struggler against the repression of Germany’s fascist past, Vergangenheitsbewältigung (“coming to terms with the past”) has been the dominant theme in German intellectual life since the early 1960s. Kiefer’s work, begun toward the end of the decade, developed in that context.
17 de dic. de 2023 · While Anselm ’s chief aim is not to entertain, it still resists framing Kiefer’s oeuvre within a contemporary sociopolitical context. While not an outspoken political voice, Kiefer has taken a ...
