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Johannes Vermeer (1632-1675) is often considered to be one of the ‘pearls’ amongst 17th-century Dutch painters. ... where he was buried in 1675. We don’t know for certain whether Johannes Vermeer ever painted a self-portrait. This cityscape, that unites his work and his life, might be the closest we can get to Vermeer as a person. Credits ...
Vermeer lived and worked in Delft all his life. He might have been trained by fellow Delft artist Carel Fabritius (1622-1654) or by Leonaert Bramer (1596-1674). Vermeer was a Protestant, but in 1653 he married a rich Catholic woman, Catharina Bolnes, and they had fourteen children. The whole family lived with Catharina’s mother, Maria Thins.
Biography. The life and art of Johannes Vermeer are closely associated with the city of Delft. He was born in Delft in 1632 and lived there until his death in 1675. His father, Reynier Vermeer, was a silk weaver who produced caffa, a fine satin fabric, but in 1631 he also registered in the Saint Luke’s Guild in Delft as a master art dealer.
Johannes Vermeer, The Procuress (De koppelaarster), 1656 . Staatliche Kunstsammlungen Alte Meister (Gemäldegalerie Alte Meister), Dresden. It is possible that the young man pictured at the left could be Vermeer’s self-portrait, although there has been no written evidence to confirm it. The artist would have been 24 at the time.
This animation shows how I digitally reconstructed Johannes Vermeer's self-portrait in Photoshop. Incidentally, no use has been made of Artificial Intelligen...
The Art of Painting (Dutch: Allegorie op de schilderkunst), also known as The Allegory of Painting, or Painter in his Studio, is a 17th-century oil on canvas painting by Dutch painter Johannes Vermeer.It is owned by the Austrian Republic and is on display in the Kunsthistorisches Museum in Vienna.. Many art historians think that it is an allegory of painting, hence the alternative title of the ...
The Procuress (1656; Dresden, Gemäldegalerie Alte Meister, Dresden) recalls Caravaggesque works by the court painter Gerrit van Honthorst, except for the apparent self-portrait which in its handling of light and soft focus resembles a moment caught in a mirror.
