Resultado de búsqueda
of expression, the expression mattering more than what is being expressed. That avant-garde culture is the imitation of imitating-the fact itself-calls for neither approval nor disapproval.
11 de mar. de 2011 · The American art critic Clement Greenberg was no Ruskin. His clipped, effective prose did not rise to those heights, nor did his ideas about art have the generous scope and grandeur of Ruskin's ...
The two volumes now available—Perceptions and Judgments, 1939-1944 and Arrogant Purpose, 1945-1949—bring together for the first time Mr. Greenberg’s critical writings from the decade in which he emerged as the most informed and articulate champion of the New York School as well as one of our most trenchant analysts of the modern cultural scene.
1 de jun. de 1998 · So runs the myth of Clement Greenberg (1909-94), the most articulate and forceful voice in American art criticism in the postwar years and now the subject of a new biography by Florence Rubenfeld. 1 A journalist and a former editor of New Art Examiner, Rubenfeld has the tenacity of a born researcher, and is a regular truffle pig when it comes to tracking down former girlfriends and old cronies.
1 de dic. de 2007 · Resumen. Nuestro trabajo de investigación para la obtención del D.E.A., titulado Modernismo, forma, emoción, valor artístico: claves de la Teoría de la Modernidad de Clement Greenberg, propuso la reconstrucción de la posición sostenida por ese autor en textos de entre mediados de 1950 y fines de 1960 como versión tardía de la teoría formalista del arte, mostrando el importante papel ...
8 de mar. de 1998 · The New Yorker, March 16, 1998 P. 70. A CRITIC AT LARGE about art critic Clement Greenberg. When Clement Greenberg was 5 he beat a goose to death with a shovel. This violent tendancy served ...
“Modernist painting” est paru en 1960 dans Voice of America, soit vingt ans après “Towards a newer Laocoon”. Greenberg y revient sur son interprétation historique de la peinture moderniste et son analyse de la « pureté ». Il définit le Modernisme comme la tendance à l’auto-critique, tendance que l’on peut trouver à l’œuvre dans tout domaine d’activités et qui est ...
