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19 de may. de 2016 · (Dutch National Archives) Né en 1923, Alexandre Astruc avait d’abord pris la direction du droit et finalement obtenu une licence de lettres qui l’a orienté vers le journalisme.
Alexandre Astruc July 13, 1923 — May 19, 2016 • 92 y.o. (100)
19 de may. de 2016 · Alexandre Auguste Astruc (13 July 1923 – 19 May 2016) was a French film critic and film director. Before becoming a film director he was a journalist, novelist and film critic. His contribution to the auteur theory centers on his notion of the caméra-stylo or "camera-pen" and the idea that directors should wield their cameras like writers use their pens.
21 de nov. de 2020 · Alexandre Astruc, El nacimiento de una vanguardia: La Caméra stylo, Lecturas. Con este escrito, el director de cine Alexandre Astruc, dio sustento a la teoría de autor y contribuyó en la formación de la futura 'Nueva ola francesa'. Se publicó inicialmente el 30 de marzo de 1948, en la revista L'Écran français, Nº 144.
Alexandre Astruc est un réalisateur, scénariste et écrivain français. Ami de Boris Vian, Alexandre Astruc a fréquenté assidûment les caves existentialistes de Saint-Germain-des-Prés. Il est assistant réalisateur de Marc Allégret pour Blanche Fury (1947), avant de réaliser son premier court métrage, Ulysse ou les Mauvaises Rencontres ...
Alexandre Astruc was the embodiment of the revolutionary hopes of a renewed cinema after the war. True, Clément, Bresson, and Melville were already making films in a new way, but making them in the age-old industry. Astruc represented a new, arrogant sensibility. He had grown up ...
In 1948, Alexandre Astruc published The Birth of New Avante-Garde: The Camera-Stylo, a manifesto outlining the power of cinema as an artistic tool.He argued that cinema could rival the creative possibilities of literature and traditional artwork, and therefore showed disdain towards the relatively new medium’s commercialisation.
