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3 de mar. de 2018 · Spacemen 3’s newly reissued drone album—recorded in 1988 in the lobby of a movie theater—marked the start of the curious rise of one of the UK’s most influential indie rock bands.
About Spacemen 3. Masterminded by Jason "Spaceman" Pierce and Pete "Sonic Boom" Kember, Spacemen 3 creatively mixed their psychedelic and blues/folk influences with the sounds of the time (mid-to-late '80s) and helped pioneer spacy, shoegazer pop-rock in the process. Leading the path for countless other bands, they created a number of fuzzed ...
24 de ago. de 2020 · Con Spacemen 3, mencionar la intersección entre el uso recreativo de drogas variadas y los procesos alrededor de la creación musical es hablar de lo evidente. El título que Moore y Coley eligieron para su reimpresión de las canciones primarias del conjunto ni siquiera utiliza adjetivos para describir perfectamente el ethos de la visión del universo que tenían los de Rugby.
13 de nov. de 2020 · Provided to YouTube by IIP-DDSAmen · Spacemen 3Taking Drugs To Make Music To Take Drugs To℗ Space Age RecordingsReleased on: 2020-07-24Music Publisher: Spac...
The Perfect Prescription is the second studio album by British neo-psychedelic band Spacemen 3, released in 1987.It is a concept album, "a vision of a drug trip from inception to its blasted conclusion, highs and lows fully intact.". Pitchfork Media listed it at #50 in their list of the greatest albums of the 1980s.
Sound of Confusion is the first studio album by space rock group Spacemen 3, released in July 1986 on Glass Records.Four of the seven songs are cover versions; "Hey Man" combines the melody of Amen (gospel song) with the lyrics of Fixin' to Die Blues by Bukka White, "Rollercoaster", originally by the 13th Floor Elevators, "Mary Anne" (originally ″Just One Time″) by Juicy Lucy and "Little ...
26 de sept. de 2016 · Spacemen 3 were certainly not something you would expect to encounter at a serious-minded arts centre in the late 80s. Bands didn’t really play at arts centres, anyway, or at least we didn’t.
