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6 de dic. de 2021 · Acclaimed composer Alvin Lucier, who explored the material properties of sound, died last week at the age of 90. While the ‘experimental’ label is often overused, Lucier’s poetic yet scientifically inflected work often comprised actual experiments – whether amplifying his own brain waves, producing auditory maps with echolocation or teasing out the resonant frequencies of enclosed spaces.
Posthumous testament to the peerless vision of Alvin Lucier, split with a work by Jordan Dykstra (Dirty Projectors, Atlas Sound), who also hailed from the same Middletown, CT where Lucier wrote his seminal piece ‘I Am Sitting In A Room’. Linked by locale and a creative friendship forged during Lucier’s final years, the late, great composer and his youthful acolyte speak to a mutual ...
ALVIN LUCIER was born in 1931 in Nashua, New Hampshire. He attended Yale and Brandeis and spent two years in Rome on a Fulbright Scholarship. From 1962 to 1970 he taught at Brandeis, where he conducted the Brandeis University Chamber Chorus which devoted much of its time to the performance of new music. Since 1970 he has taught at Wesleyan ...
Alvin Lucier. site designed by daniel l scholnick: to contact alvin lucier, send an email to.
21 de may. de 2013 · Alvin Lucier (*1931): Panorama, for trombone and piano (1993).Roland Dahinden, tromboneHildegard Kleeb, pianoforte."Panorama" In the Spring of 1993, Roland ...
Still and Moving Lines by Alvin Lucier, released 15 November 2013 1. Ever Present 2. Carbon Copies 3. Hands 4. Shelter Ever Present (2002), the only work offered here that has been recorded before is for flute, saxophone, and piano with slow sweep pure wave oscillator and is considered by many to be Lucier’s most musical work. Carbon Copies (1989) is for saxophone, piano, flute and playback ...
Alvin Lucier is the John Spencer Camp Professor of Music, Emeritus, at Wesleyan University, where he has taught since 1970. Lucier has pioneered many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media and the evocation of room acoustics ...
