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Home Who used to dance. Who used to dance. Abbey Lincoln Barcode 0602445478934. Vinyl. Save 49 % % ... 'Street of Dreams' and an exceptionally charming 'Mr. Tambourine Man'. Alto saxophonists Frank Morgan, Steve Coleman, Oliver Lake, Justin Robinson, and Riley Bandy III provide feature work and several insightful solos, ...
View credits, reviews, tracks and shop for the 2023 Vinyl release of "Who Used To Dance" on Discogs.
Personnel. The lyricist on this recording are Sub-Zero, Kokayi, Utasi, Shahliek and Black Thought. The musicians are Steve Coleman (alto saxophone), Andy Milne (piano), Reggie Washington (electric bass), Gene Lake (drums), Ravi Coltrane (tenor sax), Ralph Alessi (trumpet), Michael Wimberly, (percussion), Ezra Greer and Duane Sarden (samples).
Steve Coleman and The Mystic Rhythm Society Myths, Modes and Means BMG 74321316922. Volume 2: Steve Coleman and Metrics The Way of the Cipher BMG 74321316902. Volume 3: Steve Coleman and Five Elements Curves of Life BMG 74321316932. Also available as a box set: Steve Coleman’s Music Live at the Hot Brass BMG 74321316912
Who Used to Dance is a vocal jazz music album recording by ABBEY LINCOLN released in 1997 on CD, LP/Vinyl and/or cassette. This page includes ABBEY LINCOLN Who Used to Dance's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, buy online: ebay and amazon, ratings and detailled reviews by some experts, collaborators and members.
Este lanzamiento de Verve de 1998 hace hincapié sobre todo en los tempos lentos y los estados de ánimo melancólicos. Siete de los nueve temas de Who Used To Dance son baladas que sirven para demostrar el grano en la voz de Lincoln, con momentos destacados como el nostálgico "Who Used to Dance" (con Savion Glover bailando claqué) "Street of Dreams" y un excepcionalmente encantador "Mr ...
Musicians: Charlie Parker, alto saxophone; Dizzy Gillespie, trumpet; John Lewis, piano; Al McKibbon, bass; Joe Harris, drums. Recorded: New York, September 29, 1947. The melody itself is a theory lesson. So much subtle detail is involved that it is rarely played this way by modern musicians.
