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  1. In the winter of 1950–51 Morton Feldman composed a series of pieces titled Projections in a new notation of his own invention. The first-known graphically scored works of the postwar era, the Projections were immediately championed by Feldman's friend John Cage in the language of his budding philosophy of non-intention, a framework of thought largely alien to Feldman.

  2. For Stefan Wolpe : choral music of Morton Feldman and Stefan Wolpe Authors : Harold Chaney ( Conductor ) , Benjamin Ramirez ( Instrumentalist ) , Thomas Kolor ( Instrumentalist ) , Stephen Foreman ( Instrumentalist ) , Stefan Wolpe , Morton Feldman , Choir of Saint Ignatius of Antioch ( Performer )

  3. For Stefan Wolpe : choral music of Morton Feldman and Stefan Wolpe Authors : Harold Chaney ( Conductor ) , Benjamin Ramirez ( Instrumentalist ) , Thomas Kolor ( Instrumentalist ) , Stephen Foreman ( Instrumentalist ) , Stefan Wolpe , Morton Feldman , Choir of Saint Ignatius of Antioch ( Performer ) , DRAM (Online service)

  4. 19 de ago. de 1991 · Morton Feldman: For Philip Guston by Morton Feldman, ... For Stefan Wolpe: The Choral Music of Morton Feldman an… (1999) Atlantis: Radio-Sinfonie-Orchester, Frankfurt (2000) Morton Feldman, Samuel Beckett: Words & Music (2001) String Quartet (II) (2002) Morton Feldman: Violin and String Quartet (2002) Morton Feldman: Early Piano ...

  5. 8 de jun. de 2018 · Stefan Wolpe >In his career the German-born composer Stefan Wolpe (1902-1972) ... Among his students were Ralph Shapey, Morton Feldman, David Tudor, Robert Man, and many jazz ... Two extended reviews of Wolpe's music appeared in The New York Times (April 5 and August 30, 1992). The latter, written by his former student Austin ...

  6. Find many great new & used options and get the best deals for For Stefan Wolpe: Choral Music of Feldman & Wolpe by Morton Feldman (CD, 2000) at the best online prices at eBay! Free shipping for many products!

  7. Wolpe taught the generation of artists who shook classical music's foundation: Cage, David Tudor, Lou Harrison and Morton Feldman. His music is austere yet very "human," and to an extent finds parallels with minimalism in the way that scattered single tones mix with a range of chords.