Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. "The faction system is a living being, composed of cells. All of you. The future belongs to those who know where they belong." — Jeanine Jeanine Matthews is the leader of the faction Erudite solely because of her IQ score. She is the main antagonist in Divergent and Insurgent, and the ringleader behind the Erudite-Dauntless alliance against the Abnegation. She is one of the overall primary ...

  2. Jeanine Joyce Durning is on Facebook. Join Facebook to connect with Jeanine Joyce Durning and others you may know. Facebook gives people the power to share and makes the world more open and connected.

  3. Charles Durning (Highland Falls, Nueva York, 28 de febrero de 1923-Manhattan, Nueva York, 24 de diciembre de 2012) [1] fue un actor estadounidense. Biografía [ editar ] Nació en Highland Falls , en el Estado de Nueva York , hijo de un oficial del ejército.

  4. 7 de oct. de 2015 · Jeanine Durning doesn’t weight any phrase more than any other in inging, and I wasn’t taking notes. (I am adamant that a person should not take notes during performance.) Rather, her stream-of-consciousness quite literally streams. We are riding the rapids. In inging, Durning speaks, without stopping, without script, for roughly 30 minutes.

  5. Jeanine Durning is an Alpert Award winning choreographer and performer from New York whose work has been described by The New Yorker as having both “the potential for philosophical revelation and theatrical disaster.”. If you would like to read more about Jeanine Durning’s piece, Last Shelter, click here. Start before you’re ready.

  6. 10 de sept. de 2015 · I kept wondering that during Jeanine Durning’s “To Being,” which had its premiere on Wednesday at the Chocolate Factory in Queens, and not because I wanted it to end. This marathon of a ...

  7. 1 de jun. de 2014 · Abstract. Two recent choreographic works—Jeanine Durning's inging and Monique Jenkinson's Instrument—employ words not as content but as kinesthetic forces. In each, as audiences sit with their own embodied thoughts, words recede and silent questions arise to connect us in the space and time of performance.