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  1. El lado profundo del mar es una película dirigida por Ulu Grosbard con Michelle Pfeiffer, Treat Williams, Jonathan Jackson, John Kapelos .... Año: 1999. Título original: The Deep End of the Ocean. Sinopsis: Año 1988. Beth Cappadora es una fotógrafa felizmente casada con Pat, el dueño de un restaurante. El matrimonio vive en Madison con sus tres hijos.

  2. The Deep End of the Ocean Reviews. The script is as oblivious as the biological parents, almost completely ignoring the trauma of the father who raised the boy in good faith from 3 to 12. Full ...

  3. A mother grows desperate when her 3-year-old son disappears, but he turns up -- nine years later in the town where the family has just relocated. Watch trailers & learn more.

  4. Pour plus de détails, voir Fiche technique et Distribution . modifier Aussi profond que l'océan (The Deep End of the Ocean) est un film américain réalisé par Ulu Grosbard , sorti en 1999 . Il s'agit de l' adaptation du roman éponyme (en) de Jacquelyn Mitchard (en) (1996). Synopsis [modifier | modifier le code] En 1988, à Madison dans le Wisconsin , Pat Cappadora et son épouse Beth ...

  5. 34 de 39 usuarios han encontrado esta crítica útil. Contemplar esta historia es meterse en la piel de esos padres que de repente han de enfrentar un hecho tan penoso, tan doloroso, tan desequilibrante, como la pérdida (sin saber quién se lo ha llevado) de uno de sus hijitos pequeños. Desarrollo extraordinario de la crisis que ha de ...

  6. 12 de mar. de 1999 · In the middle of a crowded hotel lobby Beth Cappadora (Pfeiffer) looks away for a moment-and in that moment lives every parent's nightmare when her three-year-old son Ben disappears. This film portrays the joyful and wrenching experiences of Beth and her husband Pat (Williams) when Ben mysteriously and miraculously reappears nine years later, at the age of twelve, a happily adopted child with ...

  7. 12 de mar. de 1999 · Ulu Grosbard's "The Deep End of the Ocean'' is a painfully stolid movie that lumbers past emotional issues like a wrestler in a cafeteria line, putting a little of everything on his plate. It provides big roles for Michelle Pfeiffer and Treat Williams, but doesn't provide them with the screenplay support they need; the result is that awkwardness when characters express emotions that the ...