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  1. View the profiles of professionals named "Adrian Lillywhite" on LinkedIn. There are 5 professionals named "Adrian Lillywhite", who use LinkedIn to exchange information, ideas, and opportunities.

  2. 28 de feb. de 2022 · The British punk/actor/composer passed away 25 February at age 66. As announced via his official Facebook page, lyricist Nick Tesco (Nick Lightowlers), founding member of the UK punk band The Members, ‘has left the building’.. The Members formed in 1976 and released Solitary Confinement with original personnel, Tesco (vocals), Gary Baker (guitar), Steve Morley (bass guitar), Clive Parker ...

  3. View Adrian Lillywhite’s professional profile on LinkedIn. LinkedIn is the world’s largest business network, helping professionals like Adrian Lillywhite discover inside connections to ...

  4. Adrian Lillywhite. Drums, Percussion. J.C.* Guitar, Backing Vocals, Keyboards. Show more credits... Notes. The Members' third album, initially released in 1982 in the US as "The Uprhythm, Downbeat" then in UK in 1983 as "Going West". 2014 tour reissue is called "Working Girl". Versions. Filter by. Format. Labels & Companies.

  5. 28 de feb. de 2022 · After playing the seminal Roxy Club in 1977 the original line up of The Members of Tesco (vocals), Gary Baker (guitar), and Steve Morley (bass guitar), and Adrian Lillywhite (drums) was joined by songwriter and guitarist Jean Marie Carroll (aka JC Carroll). The next to join was British Airways aircraft electrician bass player Chris Payne.

  6. 20 de abr. de 2024 · Formed in Surrey, England, in the summer of 1977, the Members were among the new wave of British bands jumping on the punk bandwagon. The group -- composed of Nicky Tesco (vocals), Jean-Marie Carroll (guitar), Gary Baker (guitar), Adrian Lillywhite (drums), and Chris Payne (bass) -- was among the first to successfully blend reggae rhythms with punk's attitude and aggression.

  7. Adrian’s brother Steve Lillywhite produced the ensuing debut album, At The Chelsea Nightclub. The LP combined wit with intelligence and a sharply defined sense of self-deprecation, sketched over rousing, joyous tunes that mined the rock, pop and reggae canons without cheapening any of those traditions.